{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://uoregon.aviaryplatform.com/iiif/zg6g15w66g/manifest","type":"Manifest","label":{"en":["Interview with James Blue for Radio in New York [1/4-in. magnetic audiotape]"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/029/original/uo-logo-hires.png?1580744881","metadata":[{"label":{"en":["Description"]},"value":{"en":["1 sound tape reel : 7 1/2 ips; 5 in. 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That this was not a performance in front of marvelous performance, or a bad performance or a good performance? 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And that you were there, confronted with existence.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=55.53,63.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And it didn't look like a newsreel. That it was not just a reporters covering of an event, but it was actually an artistic creation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=64.959,73.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Something that was composed, had a structure. And yet these people in it were real.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=74.86,79.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, I've often been intrigued with that. 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When I began to make films, I tried to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=103.72,111.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Work with non-actors also.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=111.91,112.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I call these people.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=114.1,114.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Non-actors.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=114.97,114.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because I'm referring them to people.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=116.44,119.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Who have not a professional formation as an actor, but who are butchers, the carpenters.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=119.99,126.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e People from the streets, people from all walks of life that somehow are used in the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=126.89,131.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Film. And yet they tend to exist.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=131.24,133.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I wondered how you could can make.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=134.51,136.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e People do this when you had a camera in front of them, you had lights, you had sound equipment, and you had all of this thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=136.22,141.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And so as I worked when I first began working, I did some.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=142.79,145.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Films in Algeria. I had gone to school in France, and later I started my filmmaking career in Algeria, where I made a feature film called the Olive Trees of Justice.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=146.75,156.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And in this film, I wanted to get back to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=157.73,159.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Reality, back to the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=160.64,162.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Existence of those people.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=162.71,163.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In that country. And so I thought that the people to use were the people of that country and not performers, not actors.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=163.97,173.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And yet, as I worked, I had I found problems and I kept asking.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=175.61,178.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Myself the question.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=179.0,179.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e How do you arrive.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=180.34,182.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e At that state where a man seems to exist in front of the camera and not perform?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=182.77,188.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And so later, when I had the chance.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=191.77,193.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I received a Ford Foundation grant.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=194.08,195.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I went around Europe asking directors whose.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=197.2,200.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Work I admired.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=200.89,201.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Questions about how they worked, how they dealt.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=202.54,206.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e With the non-actor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=206.68,207.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I would like to tell.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=210.19,211.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You some of the things I learned and.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=211.63,213.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Use.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=215.44,215.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Show you excerpts from films of certain non-actors.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=216.05,218.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Now. We will see later in the program.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=220.96,224.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Excerpt from the great French director Robert Bresson's Joan of Arc, which she used non-actors. We will see the Sica's masterpiece on there Well, today and all means film. The sound of trumpets. Excerpts from these films.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=225.58,245.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e When I saw Nanook.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=249.41,250.4"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e My confusion was even greater.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=251.96,253.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because here was a film made in the Great.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=255.68,259.519"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e North, as you recall, back in 1922.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=259.79,261.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And there was a scene of a walrus hunt, and Nanook went out and got the walrus.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=263.27,269.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e As he would.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=270.92,271.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And yet, as I learned later, the scene was planned, set up Nanook and said to Flaherty, who said, let's go out and shoot a walrus hunt. I don't know how to make a pretty good shot for the picture.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=272.27,282.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e A good scene for the movie. And Flaherty said, all right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=282.83,286.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So they went out and and looked for a walrus hunt.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=286.55,288.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Set up a walrus hunt looking for walrus.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=289.76,291.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And yet, in spite of the camera.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=292.76,295.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There wasn't any sound. Of course, in that time there was no need for lights. In spite of this. Everything Nanook did was real. It existed.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=296.39,304.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And of course, the reason was that although Nanook knew he was doing it for the camera, the walrus didn't.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=306.33,313.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It was a real walrus.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=314.22,314.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So somehow that made an impression on me and for myself. I've called my search.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=316.5,323.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e With through Europe my talking with the various directors.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=324.36,328.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I said that I was on a search for the walrus. You know, film hasn't always used stage actors, and it is not always used the nonprofessional human being. It developed its own kind of performance early back in the old.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=330.12,349.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Days, back around 1910, 1913, and so forth.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=349.68,352.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And at that time, these people were confronted for the first time with how did you. How do you express.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=354.03,359.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e An emotion of quality.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=361.54,362.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Through the lens of the camera onto the screen? And they puzzled with this, not having developed all of the the expressive.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=363.49,373.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Qualities of the film that we have now.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=373.75,377.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They talked very often about registering emotion, and so they attempted to. So the actors, the performers could attempted to stop and register a kind of Mae daughter emotion. They would say. The emotion was to be indignation or righteousness or lust or desire. These things they turned on, they sort of sliced off the sausage, you know, and made it ready so that immediately when it was called for, they can do joy, grief, terror, and so forth. And I picked up an old acting book of that period, which, instead of talking about Stanislavski and Actor's Studio methods as we do today, it gave detailed accounts about how you registered emotion. For instance, a description. Surprise. Wide eyed lips, slightly apart. Disgust. The corners of the mouth droop. Uncertainty. Puckered brows indignation, the brow heavily puckered and the lips tightened and modification. The features relax into a tolerant smile. And one of the best advices in the book was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=379.33,468.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That the author could give to a young.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=469.62,471.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Beginning actor was that I, Mira, will be your best instructor. Practice in front of it as long as you can, and endeavor to register the expression you think best indicates the emotion. Now, in order to do this. They had what they call the letter test. When young starlets. So that time would come before directors to prove their.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=472.05,496.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Prowess in registering.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=496.3,497.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Emotion, they would give them a hypothetical letter. And at the end of each phrase of this letter, there was the emotion required in parentheses. And the young actress was supposed to be able to convey that emotion on call that made to order emotion. Now, for instance, here is a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=497.71,522.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e A typical example of the letter.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=523.059,525.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Dearest Mary.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=528.1,528.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's a girl will be reading this. You say.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=529.6,531.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Dearest Mary, I'm sorry to be the bearer of sad tidings. My dear mother, whom you love so much, has just died. And the indication? Register grief. Upon her deathbed, she asked me not to marry beneath my station. And so, dearest Mary, I'm afraid we must part register dejection. Nevertheless, the tenderness that we want shared obliges me to warn you of something before it's too late.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=532.72,562.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Register apprehension.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=563.48,564.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e My father has decided to foreclose the mortgage on your apartment register terror. And so they went on registering emotions, slicing off the sausage and placing them one after the other. But during that time, something else was happening. The person was trying. There was there were moments of stillness. There were moments when the face was immobile and suddenly they perceived that the face alone could express. They didn't know exactly why, but there was something almost.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=566.39,612.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Magic in the in the expression of the stillness of a face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=612.87,616.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Once, Griffith said.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=618.9,619.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e To the young actor Joseph, feel the crowd who was making movies for his first time when he did orphans of the storm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=620.13,627.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And he was using his theatrical.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=629.31,630.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Technique because he had a strong theatrical background and he was trying to mime everything and spelling it out, laying it on the line.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=631.14,639.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e With it says, would you just stop? Stop acting, stop moving around, just be still. And. Excuse me. Chill. The crowd was a little apprehensive about this, and so Griffiths recommended that he take a look at Broken Blossoms at the work.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=640.11,657.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Of Richard Buster Limits. At the stillness of the bastard, Amis expression in Broken Blossom.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=658.36,666.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He seemed to do everything without doing it. There was something there.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=668.26,671.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That existed.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=672.25,672.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e In Griffith's works, however, in his own work. There was, however, a kind of curious.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=674.95,677.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Mixture of of acting.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=678.46,680.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Techniques. For instance, Donald Crisp, in the same film composed the character almost made a caricature make up was applied in a in a caricature or manner, but an intolerance may Marsh, for the most part registered her existence as a human being. It came through in the face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=680.53,702.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There was something.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=702.91,703.18"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Else. One of the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=703.57,706.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e First to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=707.05,707.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Play upon what he had is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=709.48,710.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In his face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=710.71,711.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e To use it, and he was much criticized for it at the time. They said he was acting, that this was awful, this wasn't acting at all, and it was William s heart. The man with a a stony face expressing righteousness, a vigilante of justice. In that inexpressive face. Only slight changes could could bring about nuances of expression, a smile. Or a slight tenderness and disappointment or determination. All of these things could be done with very slight kind of movements. And so in a sense, not an actor, but the face itself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=712.12,757.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Became the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=759.57,760.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Performance in a way. We were on our way to not registering emotions by slicing off the sausage of pre, pre planned and pre-made sort of things, but to something else, something interior. The expressive qualities almost of the design of the face. Now. The Russians have made very much a an improvement on this. They had seen. A film called Nanook. And the actors and directors have become aware of the possibilities of the human face. They. They were aware of the possibilities.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=761.13,812.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Of being of the existence of man.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=813.94,816.64"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Nanook was there. He didn't express through nuances on his face. He just existed. This was a face that suddenly was seen throughout the world. He and his wife and I wound up, you know, on ice cream.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=819.28,835.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Sticks for movie theaters.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=836.15,837.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Nanook of the North. As I said, the Russians began to make use.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=838.52,843.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Of the face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=844.88,845.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And yet the use they made, for instance, in Eisenstein's use in Potemkin, was to find what was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=848.54,856.4"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Caricature in that face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=856.58,857.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e What that express that the face expressed in itself. For instance, the smile of this man was perhaps the way he smiled. But here it takes on a derisive.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=858.62,865.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Quality for Potemkin.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=866.33,867.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e This picture is a cry in itself, and yet it was posed, and yet it isn't acting either. In other words, the whole image began to act, began to register emotion. And so it moved on. Using the physical aspects of the people without them necessarily feeling.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=871.22,898.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Using lighting to change an emotion.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=898.92,900.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e To create a feeling. Coupling it with a mood. The stance of a head. And we find this even later developed through Eisenstein's other pictures. And Ivan the Terrible, for instance, where the whole set, the whole composition expresses the emotion and not just the actor himself. In fact, check us off. The actor in Ivan the Terrible felt that he was in a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=901.5,927.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Straitjacket constantly, that he couldn't express a thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=927.69,930.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because in fact, Eisenstein was expressing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=931.05,932.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Through the entire composition.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=933.39,935.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And we find this today. In Fellini, for instance, Fellini looks first for the face. He says. He brings a thousand people in front of him and finds the face, and then he dresses up that face, always working for the use of the image. The use of the conversation, the décor. Everything. To express an entire mood and relying very little on the people themselves. As a sideline, one of the actors, one of the actors, said to me.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=936.75,970.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=970.97,970.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That Fellini very often had them just say numbers. And later he dubbed in what they were saying. And Fellini told me that saying numbers made the face move. It gave it some life and that he could always put in later.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=971.66,983.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What they were to say.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=984.05,984.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He didn't do this regularly, but he relied mainly upon an expression by a total image. We were getting in this direction, away from the human being again. What happened to him? What happened to that human being.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=985.25,1001.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1001.42,1001.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e There, existing on.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1001.78,1002.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/121","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Its own in Nanook?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1002.77,1003.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/122","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Here. These people were filmed as they existed, and yet this was set up. This is taking supposedly place next to the igloo.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1017.09,1026.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/123","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The fur trapper.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1027.619,1027.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/124","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And yet these people had a life of their.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1030.5,1031.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/125","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Own and they were in a situation. Here we see Nanook listening for the first time to a phonograph.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1032.089,1038.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/126","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e There was another actor, I mean.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1051.08,1052.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/127","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Another director in France, Robert Bresson.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1052.58,1056.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/128","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Who tried to solve the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1057.74,1058.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/129","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Problem of the human face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1058.76,1059.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/130","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He wanted to cut that face down to its inner expression.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243#t=1060.68,1065.27"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141749/file/262243/transcript/76667/annotation/131","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/667/original/trint_Coll458_jb0003_Blue_01_transcript.vtt?1740614369","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/667/original/trint_Coll458_jb0003_Blue_01_transcript.vtt?1740614369"}]}]}]}