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Your your your work was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=8.49,15.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The first that I saw.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=16.29,17.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e The films that made me want to go to the movies, to be interested in films. I don't understand.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=19.36,25.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Bicycle thief was film. The first film I saw that made me want to make movies myself?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=26.82,34.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, that was marvelous. All right, so it's quite a long time. Yes, but I continue to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=35.01,41.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To work with. I would like to push because.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=42.96,45.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e There is a there is no the problem is the to choose. But I believe that but yeah they need especially need a little. There are a few actors and Professional.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=46.95,59.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e People.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=60.53,60.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e In America. They don't have many, many friends. In Italy, there are.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=61.4,66.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Two characters.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=67.73,68.24"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And the characters sort of a strong human being. There are a million. Million. In this case, an angel. The nonprofessional actor. Because I found the absolute and the physical. The physicist. No. The physical. The physical, the physical. The physics of the role. And there's a reason I.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=69.11,94.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Made the show. It's very easy because they had both.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=94.61,99.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Children in the middle of the street and the bicycle thieves. Is a real world. Come on. A disc dislocation. I propose a bicycle thieves. The two sets. And he was of the first to produce so many computers when the standard value of at these screenplay. But. He proposed me getting ready for the role of the father. Okay. This is a great theater. I made it with him. But, you know, the it wasn't that it would come in. And I renounce the $2 American dollars. I made my picture with my.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=101.06,145.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e My friends money.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=146.67,148.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And it made the the picture aids. I like to be able to make this picture, and I find that it's a work.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=149.55,157.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Have you seen the plunger on. The boat? I don't know, like I was trying to deny that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=158.73,167.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It is. It was a it was a newspaper woman who came to a table. Me and my sister and I, you know. I spend that interview a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=167.37,178.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Game to air the role of the mother.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=180.08,182.24"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And also the other characters that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=183.5,185.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Are not professional.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=186.11,186.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e For a director, it's better to work with a professional like that because there is a is a kind of experience.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=188.27,195.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=197.6,197.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Is a bit the experience. So I think that it's a bit difficult to do. Do. To reduce is because if there is an authority experience that is of authority, that is a career is a past, the competitive people are. But when the very first of the role of the feature could be better because it for a director is very easy and to work with. We did.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=199.85,235.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Not. We are. Not afraid? No no no no. Oh, yes we can. If you want.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=240.69,256.529"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e What? Is it?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=259.89,263.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes it is. There is an exemple. Very, very interesting. I could hear it. There is somebody who was a professor. University was not complete. In this period. Without this period. And I here's.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=267.45,291.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e A man I'll.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=291.69,295.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Show.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=297.04,297.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You the complete windshield. Come on. Oh.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=297.89,305.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Don't try to close it. That is the way to the car at that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=306.47,310.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Phase.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=312.26,312.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e In this soul, in this manner. To work in this manner. To speak.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=313.73,318.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e His manner.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=318.71,318.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Now, there is a whole list of the kind of the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=320.42,324.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Work of the director in the third person. This is. The work is coming to an end. I am an actor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=324.77,334.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And then.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=335.78,336.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=336.53,336.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Want to show how I. How you know, I wish you well.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=337.1,344.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I want you to know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=345.83,346.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I wish you do.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=347.06,347.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The result of you see. I bet I begged them to imitate me, but I didn't. Then the men make something very difficult for them and then start over to the professor. At least.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=348.53,369.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e For me it was a great plan. You. Know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=372.21,380.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e What?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=384.36,384.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I mean. Oh. What a little documentary. What direction?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=388.08,396.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Would you have you made a documentary about the Bowery.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=400.29,405.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You know what I.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=406.92,409.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Oh, shit.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=412.94,413.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yes! Oh! My God. Oh my.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=420.77,427.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e God! I said.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=428.12,429.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That's why I'm getting back together. Precisely. I had to work it out with the preparations.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=430.64,436.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That is it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=438.08,438.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e That is not.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=440.09,440.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Even all of this.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=441.17,441.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e What do we do?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=443.42,444.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Now I make a picture. We.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=447.47,449.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Look at it. What do we do?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=452.15,456.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e First we just load it, for instance. Now we make a picture. We have a garden. And when that, the physical with the actor. So.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=458.72,469.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=469.32,469.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e He's wonderful because of my work. With them?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=471.72,480.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I'm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=481.83,481.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Showing them the ideal show and the theoretically, practically everything.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=484.38,490.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You give them a movie. What Actors Studio might call psychological preparation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=491.67,497.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Do you think that it was a good idea to start running? The. Mikes. Right. Speaking about the the crowd out there with this thought that the comedy about the parents. Is my father is that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=498.75,526.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Father is a grandfather and we speak about the parents. I don't think that is a part of the cabinet.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=526.68,533.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That is because about the balance of the educacion, the. Trust between the people with your. Habits. And I believe. You will follow. This will come out of everything. They can't. Leave. It's okay. I'm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=533.48,569.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e A good man.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=571.28,571.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Do you do this with your non-actors or with the nonprofessional?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=574.16,578.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Do you trust his picture? But he's doing well. Yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=579.62,584.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But he's. This.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=584.69,585.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Is a loan. This will be the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=587.58,592.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Way. The. Lenders and I find it. I find I find this kind of thing because it is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=597.0,610.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Important to the point where you are obliged to explain to you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=611.04,615.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And it's like. I mean, it's psychological.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=616.71,618.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I was it because he was everything?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=619.44,622.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Because. Everybody could. I wish. I knew.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=622.86,630.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e What he could.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=634.8,635.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Do for being too many days.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=637.23,640.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Management team to explain to you what the cost of target?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=640.89,643.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That I don't know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=643.49,646.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I definitely, definitely wasn't. After the after three, four days. It wasn't.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=647.27,659.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And what did you. Did you do anything to overcome his fear? Before we put him at the beginning the first time. You must not have even been able to walk the walk.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=659.99,677.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e With me on the first day of the first four days of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=678.14,681.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e A very, very. Professional. Professional.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=686.12,691.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They know everything. Every moment. What to do when the camera runs and they know everything. After 4 or 5 days, they become a good actor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=693.08,707.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Okay. Why don't I just. I believe you. I know it because I.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=708.42,715.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Don't even see that very day.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=716.01,719.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To to them as the people you have got in your in your films. There was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=720.09,727.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e One thing. And seeing them there today, many times I got a copy in 60 millimeter and looked at it one right after another. But I still look.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=727.89,740.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Like.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=740.52,740.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I have to tell you, this is a confession. Your the trilogy in there. Every one of them made me cry like a baby.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=742.29,748.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Very severe.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=751.83,752.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The most severe speech of the mind. Because also basically there is inside the sentiment.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=752.82,759.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e If you look at the whole about it is. So it was very well. Welcome to the life of man on the man where they call when you cut the cord between you and the serpent.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=761.0,775.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Now there.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=778.58,778.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is something that I have no.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=779.28,781.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Way of expressing the emotion. You see.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=784.67,790.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That seemed particularly prevalent today. And I thought maybe this permitted you as a person. I am not professional. In that way. You don't me to rather than ask you to emote. You failed. You want to give a loan? I know there's an actor playing on a stage.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=797.27,822.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You know, you manage to get people down more or less to a kind of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=824.01,829.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e An existing level.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=829.27,829.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e But nothing but ask. You give him.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=830.83,835.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Almost the entire emotional expression of the scene, from the relationship, the nonprofessional and the kind of thing you had him do or object. For instance, after the first.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=837.67,851.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Long sleep.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=853.15,853.42"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It leads to the other night and it may fail. It is no way to be. Alarm clock covers a little bit more, and the scene of the maid when she wakes up with. This beautiful scene.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=854.11,875.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I Hello. Hello.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=877.12,878.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So you. I've been. I've been speaking before. That. So you sing to me? No. I'm American. What do you mean? I wasn't. I went to edict.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=879.71,890.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Tell me, tell me the same. The same thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=892.55,895.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e No. Let me say good morning.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=896.93,901.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Good day. We've all. Been made. And by that, I mean should have fizzy drinks. You come and share that with.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=902.75,920.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Me on the Monday on. Okay. I meant to put.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=921.83,926.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Me on the middle. On the back. I know she. Really busy and appreciate. Confession that. Emotion that could not exalt, no matter what they may be at the time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=928.1,952.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e But it slowed.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=953.92,955.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Down a little.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=956.62,957.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Express that said, what do?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=958.12,960.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e We know everything about the party.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=967.51,969.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They let. Every. Little speaker.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=970.18,978.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Always. Not just the common usual.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=979.48,986.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Just if there is emotionally a soul in this moment is emotion. And we just.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=987.04,993.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Had a very important range of words.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=993.79,995.69"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So I mean them to, to compose a, a character who lives in this moment in drama. Drama is this time they see the moment of the tragic or from the novel, the gesture of a human being. For me, all the characters.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=997.75,1021.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Are overall human.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1022.0,1024.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/121","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Being. Oh, this is the secret, you know, the result of this is, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1024.97,1032.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/122","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What was so marvelous was that it seemed.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1034.329,1038.079"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/123","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To me that these nonprofessionals, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1038.319,1044.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/124","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You were able to go through this by link, linking them with a simple gesture for a symbol or an object by getting a strike symbol.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1045.49,1056.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/125","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Or.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1057.27,1057.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/126","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Something.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1058.68,1058.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/127","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You were using them in a way that you did not have to ask to be an actor. Is that in your in your mind.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1059.94,1070.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/128","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e As you were working with them? It seemed to me that you couldn't ask a non-actor to do what Sophia Loren did than the other way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1071.25,1081.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/129","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well, look.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1082.74,1083.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/130","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I am a bourgeois. I could to show what the my said. One thing was to be how we did the match on the wall. On the wall. Because as soon as I said it closer, she came off. But it would come to the very poor if she was a servant. She's. She's a perfect for this deep. I mean, if I show the show where the judges do it, I make this decision as a real man, not as a sentiment. Like.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1085.26,1124.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/131","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't make these.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1125.08,1127.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/132","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because it's very.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1130.03,1131.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/133","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Dangerous for.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1131.95,1133.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/134","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Me to direct the criminal, because if they imitate you, they are no good if you let them make this dish. These always as if they are coming. Also, a lot of that is very cool.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1133.21,1156.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/135","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e At the end of that scene, when the girl sits down and begins to grind, the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1158.14,1163.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/136","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Coffee grinds the coffee.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1163.42,1165.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/137","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And you have where she slides down in the chair and I leg goes out and closes the door. Could you tell me what you said to her? You have to show her.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1167.02,1178.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/138","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Did you ask her to do it? I would like to do it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1179.19,1183.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/139","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e At the very least, my dear.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1184.41,1185.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/140","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e In this moment you will make a choice. The. Only. Thing. That.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1186.51,1203.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/141","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You have.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1210.35,1212.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/142","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e To do is to leave. You must let me explain everything. And then let you go to Spain and go to work.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1216.08,1226.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/143","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Okay.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1229.03,1229.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/144","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e What? Okay. Thank. You. Well, what do you think? You talk to them in this in a very confidential way. All right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1230.92,1248.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/145","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Very, very angry. They couldn't defend this. They cannot do anything without me.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1249.19,1257.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/146","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I own this. So why? So. They need the government to turn the lights. On.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1257.77,1275.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/147","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There was another scene that I would like to talk. It seems to me to be a miracle. I mean, it's one of the scenes that seems to be a key in your work because you find you find recalls.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1276.16,1292.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/148","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e And that scene and the feeling of it, you know, there in several films, what's the scene in the world with the father?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1292.92,1302.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/149","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e By his abruptness, his sudden irritation destroys the confidence of his son. And the son turns and walks away from it, and he has to try to get the. He suddenly feels guilty, tries to gain the back of the confidence of his son. This is a scene we find at the end of Umberto D with the dog. You see the tone of that shot. The cruelty of mankind unconsciously toward us.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1303.78,1339.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/150","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I would like to know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1340.62,1341.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/151","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e How you directed at this scene because it is one of the. It is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1343.41,1348.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/152","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e The one example of a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1348.58,1351.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/153","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Continuous play.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1351.52,1352.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/154","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Between two people without the shot. So you directed it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1353.5,1359.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/155","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e In its entirety.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1359.56,1359.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/156","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To make you proud that. It was on a walk in the park.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1361.24,1369.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/157","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But he said it is the work that is enjoying this day.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1371.72,1375.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/158","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1376.48,1376.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/159","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I feel like there's a moment, a way that the. The boy falls down in the rain and.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1377.59,1387.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/160","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The father of the stone. Okay. And he wanted to absolutely. To show him that he's that he was a danger for you. And the issue with this, it's almost like an arrow in it was like I am fall down and fall down and fall down. And he's always in the in the work in the middle. And that there is no skill play. I used to be. Is it because of the kind that this suggests to me? These the characters seem to suggest to me, these are these little things? Yeah. The people say the no profession suggests to me. Somebody said they knew how to do it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1387.37,1435.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/161","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e How did the scene where the where the father slaps the boy and the boy walks off because he was really hurt? I you saw it. I mean, I felt that, like here. How did you direct that? So that the boy feels this hurt?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1436.17,1454.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/162","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You see, he walks away and he comes back.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1456.6,1459.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/163","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e This is the. This is always a question of the sector.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1460.08,1465.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/164","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Remember what you said to the boy to get him for it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1467.56,1470.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/165","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The thing for your father, if you will, and live as Lebanon, and you have no.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1470.74,1478.69"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/166","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Clue why you are not guilty. You are not saying why me?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1478.99,1486.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/167","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Why? Why me? You made the so your father. Well, it's no good. No, he's. No no no no. What? There is no justice. No no no. Because when I made the series left. You are very, very, very good. You are a very good.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1489.13,1508.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/168","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e One.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1510.43,1510.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/169","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And he started to the power of God. This was before you would set up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1512.77,1517.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/170","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The scene with great.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1517.78,1519.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/171","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You need to see this.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1520.04,1521.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/172","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I am. I am against it. All right? Because it's not right. No justice. Maybe you're sleeping because you are new this morning. You work with him to find a piece of nice and cool. You go. You. You are tired and easily. But you. Why?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1522.11,1540.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/173","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Did you rehearse the scene before?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1544.71,1548.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/174","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Or was it. Two very different.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1549.27,1554.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/175","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I have to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1555.09,1555.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/176","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Go to the desert.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1556.2,1556.8"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/177","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He said it's pity. That because of that I said to, you know, there is no no system, no career. No, not theoretically. No, that is not that is always there. What we have always had the contact over the air. They are natural.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1558.45,1582.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/178","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e They how they are.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1584.8,1586.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/179","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I wasn't born. We lived in a little room. I have brothers and sisters.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1588.49,1597.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/180","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e My mother and father in one room. It was very cool. And these Olympians.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1598.12,1604.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/181","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e If we leave.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1606.01,1606.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/182","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e These. These as this song and these expressions. These. These are meant to work. This meant nothing to be afraid or.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1607.54,1619.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/183","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e To be.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1619.27,1619.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/184","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Hungry. I'm getting hungry. We just love it. What is natural light?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1620.32,1628.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/185","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e During the scene. Give directions. Not like thing. Now you go way over to the trees because he goes to the trees, and then later he comes back.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1632.77,1641.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/186","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e To actually think.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1642.54,1644.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/187","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e But then you ask why?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1646.29,1648.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/188","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well. The word is of the father was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1651.23,1656.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/189","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Is that the way that the the father say?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1656.85,1660.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/190","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And a little. Himself because of that, that that would solve the problem the same way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1663.24,1676.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/191","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e That theses plays a song.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1678.51,1682.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/192","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e About that as well. But when there's some problem.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1683.91,1689.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/193","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You make so many games.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1692.88,1694.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/194","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Seem to be safe. So we used to work with the movies.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1696.68,1701.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/195","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So you didn't insist? They say words that weren't in the script.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1703.37,1707.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/196","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Woman beating myself up. These things are possible to. Would.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1710.57,1718.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/197","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You please.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1720.89,1721.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/198","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Leave behind? The meat of the meat over the delicious human being. My very truly, sincerely. The cat at the table.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1723.29,1736.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/199","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e They made it. Oh.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1737.6,1739.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/200","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You know, you asked them to add their own words.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1741.05,1746.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/201","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Important to me not to say or do.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1747.62,1751.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/202","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You will let it go? Yeah, yeah. Oh. They demanded.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1751.28,1755.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/203","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Oh, yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1762.48,1763.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/204","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e To get them to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1768.12,1768.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/205","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Control their own place.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1769.17,1771.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/206","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Understandable. I don't know. Why don't you ask the the devil? Made me.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1773.19,1782.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/207","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Do that. We'll see about the position around you. Adam. I'm going to. We're doing your song, a new song. You are angry with your father the day.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1785.91,1799.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/208","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You created a proposition.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1800.76,1801.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/209","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e In this way. Well. I'm wondering. There are many actors and directors now. We.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1802.62,1811.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/210","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Use little tricks.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1814.85,1815.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/211","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Behind Google to respond. And.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1818.69,1821.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/212","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Create a real situation of anger in order to have. A real situation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1828.17,1834.8"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/213","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e So here's a little bit more of you ever.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1837.95,1844.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/214","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You want to know an emotional quality. You have. One on the fifth month.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1846.89,1862.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/215","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Of the current.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1867.05,1867.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/216","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Or is this a well.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1869.09,1869.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/217","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Now you want. This boy and the father.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1870.06,1876.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/218","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And? Myself. All the time. I was a soul. It's so bad because I thought.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1880.48,1896.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/219","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You were you. Were the one who took my brother.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1898.86,1908.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/220","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Or sister in the home. You know the boy. The boy in the room.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1909.99,1915.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/221","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You have no shame if these people know these videos.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1916.44,1922.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/222","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Everything will be And then I think.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1927.07,1929.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/223","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e He's probably.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1931.52,1932.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/224","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Going to say it was a soprano and that these are singers, emotional even very, very much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1933.5,1941.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/225","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So. You were talking actually about his own situation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1943.04,1944.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/226","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He's a natural.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1946.61,1946.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/227","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Naturally say boy, very popular along with his life. Father over the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1947.72,1954.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/228","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Past year you look at. This and we'll see if the people knows what it is up to what the people want. But you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1959.7,1972.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/229","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Know, he got.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1973.82,1974.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/230","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e His bed. To me, that is a very coward about to me. I am a coward. In this moment, the better the resolve. The was a so I was the case. And my boy, he wasn't doing so great with Queen.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1975.38,1989.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/231","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e When did you. You had had a great deal of experience with working with children. Well, I think before you made the shoe, you made a film.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1990.35,1999.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/232","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Called The Children Looking or something. And we went to the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=1999.69,2005.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/233","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e First speech about them, and they were really good. Without it, without a professional. But in this case, I had an actress. And then I can go back to the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2006.05,2017.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/234","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Profession and, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2020.18,2022.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/235","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Say that, that your manner of directing, even adults.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2024.02,2027.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/236","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Tend to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2029.09,2030.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/237","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Come from the experience you have with the children. I mean, I don't non-actor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2031.79,2035.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/238","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I voted for this reason. I made the feature. 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I'm trying to give spot a home at home and leave him with the dog keeper. And then. He takes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2078.929,2093.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/248","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e His dog.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2094.9,2095.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/249","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And Umberto take the dog. The dog would never put him in a home.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2095.86,2100.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/250","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e With the dog where he's going to leave him there. And the. And the man and woman.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2102.1,2109.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/251","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Want to have security. They want to have his clothes and everything. And there's this thing where they find all the clothes, and they're trying to figure out how much they're worth and everything. These were not, were they not? These were nonprofessional people.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2111.59,2125.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/252","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Oh, is this the dog keeper? I have no, no, they are a very true dog keeper.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2126.45,2131.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/253","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e How did it work? Because they were so sensitive about this. Yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2132.59,2139.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They are very sincere. They are true. True God. Dog keeper at. That's who said they may. They always do the same in the life and and are. And there are pictures.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2141.44,2155.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Did you or did you ask them. Did you say now you're going to you're going to look through his clothes like this or that. When you open the case, you know they get down and they look through the closed cases.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2156.56,2169.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You see the indication. Indication, I hear you. Baker. Baker. Oh. As you made every day as they made it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2169.69,2180.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e There was one.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2182.5,2182.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Other kind of acting in Umberto D that was different from most people. Another kind of performance.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2182.95,2190.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/259","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Something more extroverted or.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2191.2,2193.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/260","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Gesticulating. And this was the only woman who was the concierge or the. Who owned the house in which Umberto the stayed. Was she an actress?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2197.29,2210.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/261","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The master? The master of the house? She's an actress. She's a singer. What was missing?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2212.02,2219.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/262","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And Did you work with her differently?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2220.2,2222.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/263","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes. She's associate because she's. She's a truly a singer. And these days she's an actress. I, I use the, the with the we that we've had in other system and that a system that to reduce to reduce a very thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2224.09,2243.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/264","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e And with a lot more.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2248.03,2249.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Professional a director, a master to edit that and a professional actor waited till the end to reduce.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2249.86,2260.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/266","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The Mr. De Sica, I don't want to keep you any longer because I know you're busy on the film. I could ask you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2263.87,2268.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/267","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e A lot more questions. I'm wondering.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2269.09,2273.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/268","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e If. With Sophia Loren.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2276.62,2280.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/269","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e When you look at this marvelous performance from her.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2281.62,2284.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/270","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What what did you what would you say? That you worked differently with her than you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2287.22,2292.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/271","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Had with other interpreters, with Sophia. That film is a great actress with great possibilities. No problem with that. I did it through the forest because there's a very large possibility in long possible. There is another system where we are both from the same country, and she understands me very, very soon. I am very deep and I should have a scene I show where I speak, come out of the scene about the ladies after the scene with the great emotion and I communicate these emotions when.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2292.78,2338.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/272","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Knows.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2339.79,2339.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/273","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Exactly.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2340.97,2340.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/274","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e What you're telling her? Yes. Yes. Are you aware of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2341.75,2349.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/275","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e An effort on your part, or an ability that you have to establish an atmosphere? For which enables the person with whom you are working to become more sensitive?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2349.88,2368.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/276","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well. Could you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2371.13,2371.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/277","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I know that this is a difficult question to answer, but could you explain somehow some of the things that you're conscious of doing to establish that atmosphere of that relationship.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2372.8,2387.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/278","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Is that most fear is created by the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267#t=2387.8,2391.97"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262267/transcript/76701/annotation/279","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/701/original/trint_Coll458_jb0014_deSica_01_p1_transcript.vtt?1740614997","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/701/original/trint_Coll458_jb0014_deSica_01_p1_transcript.vtt?1740614997"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266","type":"Canvas","label":{"en":["Media File 2 of 6 - Coll458_jb0014_deSica_01_p2.mp3"]},"duration":439.01388,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/266/original/Coll458_jb0014_deSica_01_p2.mp3?1739214281","type":"Audio","format":"audio/mpeg","duration":439.01388,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0014_deSica_01_p2.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The sincerity, the sincerity of everything else we do, from the beginning it is very sincere, everything, everyone. And the atmosphere is the consequence of this true feeling, true emotion, true words, true gesture, everything is true. And the Atmosphere is this.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=4.01,32.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You spend a long time before shooting with your people, talking to them, eating with them.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=37.31,45.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Once I began to read the book, I can pray to everyone, I pray to myself, I meet people around me. I read the screenplay, and the result is so because there is an identity in this man, because they remain something that I wronged, I am wronged in the application of this scene, and practically this scene is different than I read before, and now I don't use this system. I use the system to speak about the picture, the character. I speak about character, the feeling, the education, the life, the gesture, everything. I show them how this character walks, for instance. Because I believe in the picture the most difficult thing is to walk. Because a few actors know the work. The work of a character I think is more difficult, I can't show you, but for an actor, a professional actor, but the non-professional actors are true, they work right, because a workman Work, finally work, man. And an actor who plays, who acts as a workman is difficult to show him and to obtain from him the work of a work man. And this, I believe, is the most difficult thing to obtain.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=45.96,163.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Mr. DeSico, one last short question, do you, in the films with non-professionals, did you use...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=166.53,175.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e So much","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=176.37,177.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e someone else's voice to post-sync the whole thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=176.8,182.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Generally sometimes it's difficult for someone but generally I use the same voice over the same non-professional actor. You did post-synchronize? Synchronized. With themself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=183.87,197.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It's okay to find this...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=199.12,200.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is it difficult to find a natural trauma? The first two days, the first growth, the first seed, but after they continue to work with great ability.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=200.4,215.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Do you use, then, your process of suggestion?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=216.18,219.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The same, the same the voice, regret the voice the strong, the sweet voice, or to be always also the laughing is very difficult, but take the same sincerity, and the same...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=219.19,234.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I'm going to Algiers, first, and then I'm gonna return back to France.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=241.81,248.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You speak with the French director, and well, I don't need to be in front of him. I don' need to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=250.29,256.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I've already talked with Gooda. How did it go? You have some stuff? Well, I didn't want to press you, I was on TV, but when you were... Thank you very much, I've always wanted, I said to myself that it will be worth the voyage you know, I can just get Mr. De Sica to tell me how he did that scene, that one scene in bicycle thief, now you see I've already gotten more things from him than that, so I'm very very happy, I had a long talk with Mr. Zavotini also, I see You're a wonderful man. What a good ride. So thank you again. Thank you. That's what I hope. I'm doing something. I want to make a book from this, but it's mainly to help me organize my thinking, you know. My best wishes. Thank you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=262.68,357.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't know what to say, I don' t know what I should say. I don't know what should I say. I don´t know. I don't know what you're talking about. I don' know what's going on. I don't know what to do. I don´t know where to go. I don´t understand what you are saying. I don¡¯t understand. I don′t understand anything. I don'T understand anything! I don﹑t understand! I don\\'92t understand a thing. I donג€™t understand it. I don ﹒ don't understand it! I don ″﹒ I don't know what I'm doing. I don' t know what to do. I don't know what's going on. I don´t know. I don 't know what to say. I don'T know what to do I don'.t know Uh... Here I have a chain and I'm also on the PlayStation, right?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266#t=363.05,433.99"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262266/transcript/79498/annotation/16","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/498/original/trint_Coll458_jb0014_deSica_01_p2_transcript.vtt?1747070073","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/498/original/trint_Coll458_jb0014_deSica_01_p2_transcript.vtt?1747070073"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269","type":"Canvas","label":{"en":["Media File 3 of 6 - Coll458_jb0014_deSica_02.mp3"]},"duration":5216.44408,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/content/3/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/269/original/Coll458_jb0014_deSica_02.mp3?1739214360","type":"Audio","format":"audio/mpeg","duration":5216.44408,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0014_deSica_02.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't know how to sing religious songs, and I don' t think I have a very good voice. In church, with the resonance, it was something extraordinary. But I feel like in playback, it's not going to be the same thing. I don't want to double up. What doesn't come to me so much, what comes to me more often is that... One of the advantages of playback is that you will have to sing at the same time as the beat. So it will ask for a...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=5.16,35.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e If you want that, that's good. But he didn't give you any preparation for this, did he? No, I don't know. But for no reason, by the way. For no reason. But did he... Didn't he even introduce me to the stage, talk to you before, the day before?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=37.54,56.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, not at all, never. No, in general, it's like that. We gave him the canvas sheet. We gave the canvas sheets, which had the plan to turn. So, we arrived, and he said, OK, let's do this. So, you see... You didn't know at all what that meant? No, I read the script, which I can't. I felt like I couldn't read the scenario. He gives us...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=57.96,100.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e All right, yeah, let's move around, all right?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=103.42,106.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e They only give the... ...Their role. I've never had the chance to see them. They give their role. I mean, you have... ...The time of the week, the time of year, but they don't give you the rest. They give you everything. I don't know what they're talking about. No, I know because I read it. If I hadn't met anyone, I wouldn't have read this script. Well, Julien is doing something. First of all, he knows what he doesn't want, but he doesn' know what he wants. For the end of the coffee, for example, he wrote some things, things that he didn't respect. There was a scene where I had to leave the box game, jump on the swing, and it was quite embarrassing. In the corner, it was embarrassing, but doing what you want, leaving the box games, it wasn't pretty, it didn't look good. You know, he left his friends in a disaster. No, no, no. You know... He left his family... You know. You know?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=106.41,207.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I don't know what you're talking about. I don' know what I'm talking about I don't know what the fuck you're saying. I don´t know. I don- I don... I don.. I don.... But I have to explain it to you, it's in 2015, I beg you. It's a project. I don't know what it is. I don´t know if it's true. But I know it's not true. It's not a navigation system. It's an omission. It's something that I know. I don' t know if I'm right or wrong. I don't know what I'm doing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=208.03,251.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's very hard, but we have to do something about it. We have to sort this out. We have a long way to go. So we have a lot of money. We have no money. We have the ability to sort things out. We have an old system. We have not the ability. We don't have the money. We don' have the business.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=253.6,279.64"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I don't know where I'm gonna go. I mean, I've been in both of them. Me, or should I be? I don' know where... I don't know where to go. I don´t know. I don�t know... I don',t know what to do. I don,t know it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=280.19,294.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e See you in the next video!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=297.77,298.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Then","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=299.56,299.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm not sure if I'm going to be able to do that. But I'm sure that if you want to interpret it, you can do it very well.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=300.96,308.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I don't know what to do with this, I don' know what I'm supposed to do.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=310.96,315.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e That's it, that's it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=316.14,316.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e First, he does it the way he wants, or the way it is described, and then he sees that it doesn't work, and he doesn't know how to do it. There is only one thing that is perfect.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=321.8,332.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e But it's very, very short, isn't it? It's a kind of nightmare. In which you have to fall asleep.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=350.28,356.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There are things that we don't want to do, but we can easily relate to them. That is, we can do what we want, please. We are free to do what you want, but not at all. There is nothing to do. There is no conflict. When he directs, he doesn't construct his character, he does not say that you are going to interpret it simply, you are just going to say that it is worth it. Here he was, at some other point, at a different level, that is to say ... I say here, you have shot such a scene ... ... As it should be. And, in fact, as soon as we find ourselves in front of a camera, we start to play the first time. At that moment, he goes, he does, and he goes. And if he doesn't, he passes it. But he goes completely.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=357.97,420.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Oh, yeah. Yeah. Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=423.04,429.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I mean, that's something that I see a lot of people doing at the end of their lives, for example.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=434.19,441.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And I'm off, and everything's complete.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=451.58,455.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So, in the car, there is a lady who comes down from the hot water and goes to the balthazar. She goes to that balthazar because she finds him. She comes back in that hot water. And I, who was watching her during the night, I am in the hot. So she told me to go down. And I went down. She told me, if you want... The sense is to be relatively ironic. That is to say... I don't want to leave my family. So, in my case... I felt that I was looking at them with an ironic smile. No, he didn't ask anything the first time, he said, how do you do it? At that moment he said no, I don't believe it. He didn't see it, he saw it, it didn't work. He said, look, that's what he wants. He said no Vincent, I didn't look. Yeah, I got the idea.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=463.14,537.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=538.06,538.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But I looked at it with the idea that I didn't look at it in front of me. Because my idea was, well, for me, since I was a teenager, certainly, I didn' want to do it like that. So I wanted to do that by looking at it from behind. But when he introduced me to that, it was still a little strange to me. A little, I don't know what you can say about it. It's all in my head. Yes, he lets people do what they want. He conditions them. They see that I take them, then he conditions them completely, and then he lets them do what he wants to do. He puts them in my head. He keeps them empty.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=538.77,589.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I want to know how he conditioned himself. Yes, the first time he did it. He conditioned himself by giving himself first he said he didn't care at all. He said he wasn't looking. So how did you know he was doing it? It's ironic.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=589.88,611.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, but she's obligated by me, because I don't think so at all. I said, if you think of something comical, it's a girl. No, it is not a girl, yes. It is a girl who is more inexplicable. She is still a girl because she is very... Even when an expression is an expression on an image of a place. You have the most beautiful face. If you have electricity, you have the best face. That's why, in the end, he asks people to be an expression. To be an expressive, that is, not to play. For example, when he asks you to smile, you smile. And the moment you smile, he says, In the end, think that you are free. Ah, that's the idea. It's so good that there are mice. Even if they're not mice. That's it. That's life. So as he takes, especially in the background, he makes very few plans in his life. He has many other plans, ideas, ideas. It's not that these people give the impression of not being in the natural state. In the end, inexpressive, but with learned ideas, ideas that we have inherited and that come out. Sometimes it hurts, because we are people who don't want to listen or don't listen, who are unable to...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=616.839,709.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Is it possible, at this time, that the very mechanism in order to activate the feeling of being in love with a woman... First of all, I understand that they never talk about feelings, but there are some ideas about feelings that can be talked about. Yes, but nothing is said.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=711.53,737.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Hello? I don't know if it's true or not, but I've been talking to him for 7 years, and he never showed me what he was doing. He asked me if I wanted to go to the toilet, if I needed to go through the toilet and take a shower. So he didn't show me, he didn' t show me the mechanics of the movement. He didn't want to show me. So yes, he told me that, but he didn't show me that. He didn't work with him. He wasn't going to hold the game for me to see him. He was going to walk, and then he would come back. So there are people who accuse him of being a monster. That's what they say. Personally, I would have never done that. They would say, for example, you have to receive your... You arrive, you close the gate, you release your ball of luck, But things are not perfect. By the way, technically, it's very difficult. I had the grid that was in front when I left. I detached Baltazar. I hold Baltazar to myself. But the bike was in the same direction as Baltazar's head. It's not that it exists in front of Baltazar, it exists on my bike. I turn around again and I get lost. It seems to be natural.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=740.05,840.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e So, for the scene, you would have to use a lot of means. Well, for me, it's a bit of a hassle. It's an old car. I don't know. I don' t know. I don't know. I don 't know what to do. I don t know what I should do. I don´t know how to do it. I don´t. It doesn't matter.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=843.11,857.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, he doesn't have the technical knowledge of the pose. He sees very well, he sees very clearly. But he doesn´t see how. At the moment, we can see it. But the next time, we will succeed. It's very simple, it's very easy. We will succeed, it is very simple. Obviously, we have to do it. When you ride a bike with a woman... It's about eliminating yourself. I don't care if you're a friend or a friend, as long as you're on my bike. If the point is too long, it saves you. So I had to see the length of the chain that had to be left, the position of the handle to be able to turn the bike, and everything. I knew it was so far away. So I took the opportunity. There's a scene where I'm waiting on the side of the road, with a gun in my hand. At the end, he tried to shoot me. I said to myself, I'm scared. I said, well, since I didn't see him, it's not going to be as bad as I wanted it to be. He still failed, but at the end he got me. What did he say? He said, for example... I don't know. I don' t know. I don t know what he said. I don't know. I don ´t think he is... I don´t see the scene. He thought I was smiling too much, and he didn't have his nose in the blue axis. It's creepy, it has, it's a little bit like, like zuné, but it's like it's in the background. It's a bit like a movie, it makes you want to hear the sound of a motorbike. It makes you feel like you're in a movie. It's like the car. So at some point, the road goes up. I removed the tip of my mouth, but before that, I had to remove the nose in the same way. I had the perfect picture. What was difficult at the time was that I had a mark, and I had taken a grass as a mark. When I got up, I needed to get rid of it, and when I got out of bed, I was already holding the grass to put my face in the big contact lens.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=855.81,1029.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Well, that was the only indication that I could give you. Yes, because... So, when you were doing that, what were the things that were going through your mind? When you were going from the beginning to the end, what was it that you were trying to do?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1031.089,1046.329"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yes, because there's a reason why in a film, the more you remain inexpressive, the better it is realized. Because cinema is first and foremost movement. Otherwise, movement is just the character's head is not so important. It's Germain Cessey, precisely, in the film. It's not the adventures of the Black Captain. It's like that. He's completely inexpressible. I was really surprised. I mean, he doesn't make a face. He has an attractive face with his blue eyes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1049.31,1091.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Yes, we will listen to you, because we are in contact with you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1094.41,1097.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Mm-hmm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1098.54,1098.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Now we got more eyes. What did he introduce you to in the shooting? Did you learn anything before the shooting, or did you talk to each other for a long time? No, not at all. After the tests, what did you learn?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1099.6,1129.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The first time I came here, I had a meeting with Jacques, his first friend, who introduced me to Brest. I saw Brest, and he asked me what I wanted to do. So we discussed a few things, and then he said, I don't know, I'll tell you later. He said to Jacques, well, that would give me a call. For a trial. Then he convinced me a second time by making me read and asking me after him. I mean, he was reading his friend and he was saying the sentence and the whole thing was to arrive at the same time as well from the mechanical point of view. I was going to say, no, that is to say he was saying it, the way he was reading it, the way it was put in front of his soul, the way his soul was put into it, exactly in the same rhythm, at the end of the day. So that's what he was doing. He said, very well, that's an experiment in Boulogne. He had an invitation, and in Boulogne, there was exactly the same text, with... I don't know if it was a plan B, or a plan D, or... I was going to recite the text, but in his hand, with always a different theme. That is to say... So, the rhythm of the scene, with the eyes, the eyes and the mouth. So, for example, you had to put the slats like this. The head down, and you had better have dust on your hand, because it's bad. I open my eyes, I look at myself in a straight line, in an axis of my nose. Mother St. Jean, a woman, a man, and a woman in front of you. Mother St Jean, for example, is a contact. And you have to rhythm it. If you want, it becomes a kind of rhythm. Uh, at a certain moment... You can see the lines at the bottom, but it's a rhythm, it's relatively easy, it helps to say a text in a monotonous way, yes, like a look, because you have, like tempo, the look.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1135.9,1301.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e I think that's it for the video.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1328.57,1329.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And I'm about to send it. He didn't tell me anything, he just said that he had been converted to a nun. For costume effects, for example. A real costume, it's me who made the most of it, for instance. Yes, yes. I'm sure he had no idea about a blouse for me. I came, I bought a leather blouse in opus, and we had one, it was a Louis American blouse. No, he was very happy. So, if you come with this music, it's a question of color, to know where, in the landscape, you are going well. Inside, you're crying very well, but inside, in landscape, you're not. It's much more... Technique, you know. That, that... That's what I was trying to do. And I had a blouse that was a little... A little matte. A little... A little too much, you see. So that... That really made me see the logo. Yes. Too dandy. Too dandily. That's it. You can take a look at the black and white book. The black and brown book. It's brilliant. Hey, uh... Do you want to... When we look at a character, it could be in a costume. Because the costume is a character's daughter, and they find that in the role of the The costume is as important as the character you're going to play. Yes, it's a bit of a gesture. I can't do the same gesture with a blouse than with a jacket. That means that when I'm in costume, when I wear a jacket and a shirt, I don't have the same behavior, the same movement, the same way of taking objects than when I have a leather jacket and blue jeans.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1340.83,1466.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e It's a bit like mixing with bad boys. For you, it was...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1467.97,1475.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It helped me to find the right things. I don't know why, but I didn't suffer that much. Apart from some very specific things, which had nothing to do with the behavior of a bad boy, the rest of the time, if you want, in the way, in the behavior, I was at ease. I didn't have to worry about anything. I felt like I was being touched, I felt embarrassed. I was like... Maybe I was going back to being a volunteer, putting on this uniform and feeling like I had something to do with it. I don't see why you felt more comfortable in a uniform. Do you see yourself in the future? I don' t really know. I don't know that I was... Well, that I knew that. It's interesting, he's very nice, but we never talked about me, it's like we're talking about him. He never asked me any questions. Our only contact was in the morning when I got home. I said, Hello Mr. Breston. Hello to you. If it was a one-month tour, I would arrive at the station, they would tell me I was leaving, I would say, please, please leave. I didn't complain. I wasn't so upset because... I didn't try to fight it by saying no, I won't do what he wants, I'll do what I want. For me, I consider that an actor, especially in cinema, the expression must come from the director. The only thing you can bring is your mouth. It's true, your mouth and your cheeks, that's all. So at that point, I tried to make it as natural as possible. He asked me, once we had finished the scene, I put myself in my corner, but it had nothing to do with him.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1476.04,1607.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Did he give you the same dialog he gave you for the tests? That is to say, ten years before, and you repeat with him until it's over. Tell me about that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1609.33,1626.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Thanks for watching!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1647.1,1648.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e One thing is that he likes girls a lot, girls, girls. Well, if you want... At least, he saw me, but he chose me because I had a face that he liked. But there is one thing that is surprising, is that the first time he was conscious, well, on the third day... The first day I didn't shoot, the second day I did, but he didn't see the rocks. So he became aware that I didn' exist until the third day, because when he saw the rocks... He found it extraordinary. That's what I wanted to do. One more thing, I got there, I went up a staircase, there was a woman with the baker, I don't know who she was in the movie. Finally, she made a kind of hidden attraction for me. You see, a very poor relationship. She gave me presents, and even a lot, but we don't really know if it was maternal or... It was in a movie. Yes, it was in that movie. I don't know. If you don't do it, maybe you'll forget it. And I went up a staircase and she said to me, Good evening, Gérard. And at that moment, I turned around and I discovered that I was entering, if I remember correctly, not wanting to be surprised. And I said, Good evening. And there was this scene, and there was another scene where I was just... And I saw a woman in a car and she asked me if I needed something, if I had something to eat. I said yes, of course. Scenes like that. And scenes purely mechanical. And a moment she said to me, look what I bought. I was going to kiss him, and he was really happy, he gave him a kiss on the back, one that he thought was too white. I was just going to hug him, but if you want... What I don't understand is that you are crazy, and that in the end, in my opinion, you exist only because you are very troubled. I've been feeling very troubled since the beginning. Yes, but I mean that you're even more troubled. Because in the relationship between the baker and me, Me and the baker, from India, from the ladies, the raconte, from me and from India with the ladies. The bad guys are in the café. This guy is very very cool. Him, as he wants... I understand this scene. It's always like a gift, relatively. I'm still his employee, his wife. So like a present, I'm a woman. A kind of gigolo. That's what she can feel for me, me being a bad boy, if you will. I don't feel anything for her, because she gave me a present, saying, since she gave her presents, let's take advantage of it, so let's be lovingly, let us be troubled, since I do what she wants. You understand? Well, I tried, because I didn't see the rocks, but there was one kiss that really hurt me immediately, saying it's not possible. It's not impossible, it's too much trouble. And then, the next day, he was born and he told me that it was extraordinary. He said, thank you, I will continue to work on the film. But it's the only time I'm told, it depends on what I think. Because really, he fell for no reason. It would have been a disaster. I could have given him a lot of trouble, as I had a very long role. It would be terrible for him, for me. It's for me, because... I don't know, Anna, for example, I had 29 days of shooting, I had 32. Colossal. There are a lot of characters. If I didn't know how to do it, I would have had to do a lot. But now, I know what you want. After... My complete ignorance... I've become an individual. What you want is to be attached to my character. You don't have to. I see. So it's your choice. Yes, but it's up to the financial. It's still your choice, isn't it? Because if he had taken another information, it might have been so good, but if he would have taken the same impression. Do you understand? Each actor marks the character and marks the time to put it on stage. You see, he made me think about things afterwards. After all, he had something he saw, but necessarily not. Did you realize that he had learned something from you? No, I don't think we should take that into account, because he is so alone and he never talks to me. I don't know the kind of person with whom I can live, that's all. I have no doubt about it, but I have nothing to say to him. It's too pleasant for me. That's all, because with him it was easier. But if you want, I think that... His character, he saw him in a certain way. When I do it, he doesn't see life through me. That is, we always see the character through the interpreter. So inevitably, the more we move forward, the longer the film, the more you confuse the interpreter and the individual. That is to say that the character becomes the interpreter You're going to have to do something about that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=1650.98,2052.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e It's a secret attack. You don't know at all when you saw him play the scene. It was a game that you knew at that time. But he had given the instructions.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2052.98,2066.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't know if I'm going to die. Yes, because there were movements to be made. Finally. I'm not going to get pregnant. A friend... Or my mother, as I got pregnant. Oh well.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2067.1,2084.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e What brought you here? So that's how it is. But you know, it was... It was hard. Yes, indeed. Don't worry about it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2086.699,2098.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Thanks for watching!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2101.68,2101.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I think the great drama of Bresson is the point that people don't play it. It's true that what we learn with Bressons, if you will, is that in the moment when you lose more, you play it right in the end. Although some people consider that the Bressonian characters look like a ballerina. But I hope it's true. They want the character to be in their mother's arms. But it's not the character. Unconsciously, he plays this character. He is a man, but it's false that we think that everyone is a woman. It's false because, no matter how you look at it, everyone is an adult, everyone is constantly represented, but never the same person. In life, we are unconsciously, we take from people, we show them what we can do, that's it, exactly. We don't take them when we say, I take them, they are taboos. Taboos are already deformed by a society, by films, by books, by readings, by things they have seen, and necessarily by strong things. There is a mimeticism, whether we want it or not, it exists.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2108.71,2181.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e But do you think that the fact that we are asking for a remittance is not enough to free us from our debt? And we don't have the problem of the debt?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2181.97,2194.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't know. Do I, really? I believe that too. Because to say to someone, unless you're a very big director of actors, and to say, here's what I want. Here's what you want me to explain to you. And it's always the same to me, by the way. Here's how I want you to explain it to me. You play it, obligatorily he laughs. In fact, we do the opposite thing. He doesn't say what he wants. He lets go, and he laughs anyway.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2198.03,2226.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e It's a bit like the smell that I read in the book I read. My husband told me that he came to see her, and he stayed silent for an hour in front of her, without saying anything, just looking at her. So, it's a friendly relationship, and in a way, I think it's wonderful. It's really incredible. And from there, I have to do it for the first time. I'm saying that I'm not okay with it. That's interesting. In fact, these are the examples of carnival beauty. The beauty of...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2236.46,2282.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Thanks for watching!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2284.91,2285.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm just here, uh, yeah, it's fine. It's just that there's a lot of things going on. It's not really a mechanic. Uh, Mr. Nielsen, by the way, he had never filmed. He will never film again. Mr.Nielsen is violent. That means, yes, there was a lot. No. There is an idea, and this, for example, of care, there is no notion of how a man takes care of himself, how he receives it, and what is his reaction. If you want... In France, we are always a little distorted by an American cinema and also by reality. But especially by an american cinema, where we have a sense of relief, a sense that is complete, that we understand. So for him, we would simply want static things. This is one of the most static points. It was impossible to give, for two reasons. That is to say that for the camera, we would not have any more, and for the character who is in front, he managed to get in the face. It's a bit traumatic, because if we had done it only once, if we were sure to do it only one time, it's not traumatic to take a breath in the mouth once. It's like we have done it 15 times, for the content of myself, and the effects of myself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2289.88,2376.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't know what to do with that, I don' t know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2392.11,2393.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I had to be pretty when I was a kid, and I was pretty when we were kids. So I said to myself, I didn't want to do it. I don't know what he said, but he said he was going to kill me. He said he wanted to kill you. He didn't want to kill. He didn' t want to do it. He didn't want to. In the meantime, I would like to invite you to sign a little point. There is a story that is impossible for me to be able to arrange for this evening. As far as I know, this is not possible. There is first and foremost a text, that is... And at one point, he told me that he was a mentor, a mentor-mentor-menter-mentar. And I said to him, I repeat, he was my mentor-menter-mental. And I told him, he said, when you play this thing, there are a lot of things. Mentor-Mentel. Mentor Mentel. There is a kind of game where reality comes out completely. And going up and up and down gives you a kick in the ass, but I didn't give it a kick by saying I have to pay attention little by little. I would have forgotten, because it was already a character who was in charge of the liar and who gives a kick. So that's why I thought it would be embarrassing to have to give it in hyperspace, because it's very difficult to see in the distance. I was always given a hook, and then I was given two hooks. I said, we don't give two points to the face, because it's neither cinematography nor reality. We don't put anything on the face. We don' t put anything in the forehead. We go down the lip and then the chin. What made me want to do it was to give one hand to the person, the other to the body, and I would hold it. At that moment, I couldn't explain how I was going to hold it in one hand. The picture was more of a fight than a fight, but maybe I realized that it was less beautiful. What he wanted was for me to pick it up. But if you want, he could have done something, something, and something. No, he let me do something else. So at one point, I picked it up and said, here's what I need. I don't understand. He takes everything he wants. Mm-hmm. You didn't even touch him, I think. It's normal, but sometimes it can be exhausting for some people. Yes, especially for people. That's right. It's up to you to look for it. He's not looking for it, and you're not. Why are you looking for him?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2395.17,2609.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I saw the scene you told me about the other night. I had to fall down to the floor. I don't know what it was.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2613.24,2620.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yeah, she's watching. I could give her this. I think she's feeling it. I think so too. I think it's a good thing. She's watching, she's out. She's out of it. She's lost it. She's gone. She's got it. She's going.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2624.11,2650.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The next thing is that last week, there was a call to the gendarmerie and there was... There was an armed conflict and we sent Armory, who is the bad guy, and the bad guys to me and at that time, there is a dialog between the gendarmes captain and me Yes, if you want, it's still a very erotic dialog, that is to say that... Well, if that's what you want I'll consider myself in a strong position. But in a very strong position, things will be the same. If you don't want to... If you want... To... To make him angry, but... I say no to things that pertain to me, but if you want, to which I don't attach myself so much, no matter what I say, naturally, well, if you like, it's a game... I am relatively sure of myself. I said, for example, but if you're sure it's me, why don't you stop me? Everything is a bit in the same style. And by saying, these gentlemen, by turning to your bad boys, these gentlemen can't talk about crime. And at that moment, she replied, and I said, no, no. I'll come in and I'll pray for you. If you want, it's a wrong behavior. Yes, yes. So, how do you pray? If you... There's no point. You can do whatever you want, but it's not possible. It's not even possible to imagine that it doesn't fit into a scene. If you want all the pain and suffering, you can. But you can't... I don't hesitate. It's not even possible for a character to dance like that. Either after a closed interrogation, you collapse, but you don't say, No, no, I beg you, don't stop me. You don't tell me that. You say it at no time. And you don' cross your arms like that with a balloon on your head. So I did it because he wanted it, and I know he didn't take it, because he supported me. So I say it because I wanted him to say it too, because I hold on to the things he wrote. But in my opinion, it's a false situation. The only way to say it was to say the arms along the body and simply by being a little crisp, if you want. We crisp up there and we say in a very specific way. You don't like that anymore? Yes. So I did it like that. And I did what he wanted. What he wanted is wrong and it will always be wrong. Even a character has to exist to exist because he does things that are relatively dangerous.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2652.49,2850.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e When he stopped, did he agree to turn around like that too? He told me to do it like I did. I did like I said, I did it like that. But he didn't give you any psychological notion of what it was. No, not at all.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2854.48,2871.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e This is the end of Departure 10. If you want to contact me, I'll send you a message. And that's it. He let me be relatively free, but it seems that sometimes I get stuck on what I want to do. Do you understand? I don't do mechanical things, but I've been left more free. I'm free to let go in my own way. With my body, with my gestures. I'm not free to make a step more. No, there are some people. But I'm more free in a sense that...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2873.03,2916.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I'm going to ask you a question, and then we'll follow up on that. Did he talk to you in the car? No, he didn't. Is it normal in this situation? I don't remember.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2916.98,2936.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So when there is no text, because as he is driving these sequences with music, he gives them a rhythm. So when he has no text in front of the car, the game is to look at the eyes, the eyes straight in front.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2946.17,2965.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Wait.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2974.28,2974.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Look at us, look at a person in the room, and stop there. So, if you want... If he let me do what I was doing, I would have done it in a different rhythm. Maybe better, maybe worse, I don't know. In fact, how did he talk? He said, eyes on the head, in front, eyes to the knees, in the face, look there, in face. Yes, he takes his own rhythm. There are people, for all these reasons, who do not arrive at the right time. So, the activity... I don't think it works. That's what I mean. For example, a character with a personality who used to be the schoolmaster who had a difficult role and who panicked. He couldn't do a fraction of what he heard. When he heard the voice, he had a lot of regret. Oh, but it's in a drink, right? Yes, but when you drink it, it's already in a glass. Do you understand? Okay. But you felt it when you were looking at it. You felt that... He received the orange and the other one as well. I don't know what to say. I don' t know what I should say. I don't know what should I say. The individual... I don´t know the order. I don ´t know, Roger. But if you want... I´ve taken something from him. It´s a good thing. It's very difficult to record and naturally do a thing, do whatever you want. You don't have to be aggressive, it's very slow if you want, the movements. Decompose very slowly, so if you accept to play, you accept the game, that is to say, if you decompose, you can at that moment receive an order in the warehouse and do it without having to play. At least it's natural to you, only you have to decompose. This is something that I understood from the beginning. For me, I thought I had to do it. Because the first time I saw the... The producer told me, you're going to shoot with Bresnan. Of course, this presentation may be a bit pretentious, but you don't want to suffer. It's going to be very good. So I was waiting for it, if you want, from the start. It worked for a month and a half. During a three-week break between the two of us, I told him, me and him, it would have been more than that. How did I come up with that idea? By saying, well, I don't want to lose myself. And in the end, it was... You prepared yourself, didn't you? Yes, I did. It was wrong, in the beginning. It was the wrong thing, because maybe... Maybe it was luck. Maybe... I don't know why, but it was wrong. So all the work I did with him appeared in my mind. If I had moments in which I was depressed, like at the station, for example, it wouldn't have been a good thing. But because there were more things, you understand. That is to say that if you have problems, you can always call the ambulance. Well, you can't really approach him like that. It's really bad. If you want, you can't work with individuals who have their own problems. If you want, for example, Bresson couldn't stand it if someone didn't want to go and talk to Fred. I understand that. At the end of the day, he gains his life. The guy who did that, he also gains his own life. If you want, it would have been much easier for us to say at the beginning to the producers, listen, what you will ask the actors, something we have never asked before, my wonder, the maximum we can pay is the minimum wage. So it would be easier for you to say, because what we say is a long sentence, there is no problem, we do it, to say you pay the actors the minimum wages, we don't talk anymore. The things would have been solved once and for all. And we think that the film is unpleasant to him, that he uses it more, but that he completely forgets his problems. Because for him, there is his film. But his film is also people who are in his film and who have problems. That's why I find this... It's very difficult because it's too... It's quite self-centered. Yes, and it was dramatic. And I personally don't complain about it. But I know that in the end, I didn't make it. Because if you want, I had to do something else. Since I was on the run, I earned 400,000 francs for the film. But first, I had the contract the longest, that is, I earned 40,000 francs from July 20 to September 31. I came almost every day. So at the time of the crossing, I said, well, I'll ask you for something else. I want 15,000 Francs per day. It's a trade agreement, I don't want more, it's not beautiful. I'm sorry, they talked about it to give me some time. So, if you want, that's it. Plus, the annoyance of not knowing when we're going to finish. Because I came back a week, it lasted three weeks. All that put together, in the end, I think I had enough. I didn't want to work. I know that, but I'm fine too. You see, when I worked, I worked. It didn't bother me. But I wanted to do it. There was a moment of saturation and it was impossible for me to continue, because at that moment I really would have said shit. Jordan, by the way, didn't want to see it, but I should have told him. Because in a sense he is a guy who is very, very nice, very Jordan, he is an interesting guy. But I don't like to work with people like that, because he is prodigiously self-centered and inactive. Everything is him. I am nothing. I have material. And yet, I am not that kind of person. Because I am also material. I'm a little less. I am a piece of clay that will model to arrive at a certain level. But if you want... He said that, right? No, no, it's me who... But he didn't say that at all? No, not at all. But that's what makes him look like an idiot. He came to work, and I'm sure you can see that. He's like that. He's a... He's not like that at least. He only works like that... The cinema, we have a plan of work, we know exactly what angle we are going to take, we know that we are doing that plan with that angle, with that objective, we know we are working with that other objective, but we don't know. You work, if you want, as I told you, as a painter, as an artist, you do successive touches, which are easy, which remodel, which... In fact, in the café, it was the same place, in a café, there was only one section, and it was a table. Why? Well, it happened the way it was often. First, you had to install your decor. You had to change a glass of wine. Imagine a table with three different plans. A background, an intermediate point, and as you can see in all the paintings, he used his background. But if you want, some artists could have used a background and put some decorations on it, it wouldn't have been more comfortable, it wouldn't have been as beautiful as he had painted it, but if you wanted, he used the background. He moved a glass and put it here, he put the boulevard package here, I said it's not possible because I'm going to put my glass here, so when I jump into the bar, I run and I jump on it, so I take my momentum so I don't calculate the glass here. Then he placed his characters, his intermediate plan, he placed couples, couples that we couldn't dance, it didn't matter, it was masses, masses in the canvas, in the painting, the frame was equivalent to a format, people who always work in the same format, he put them in his format. He is free from these masses, he is free of these sufferings, he puts the first plans. Do you understand? But each time you want the difficulty at that moment, that's why it's important to research a lot, because without a painting, it's a difficult thing. The cinema, it evolved. Every time, there was a lot of problems because, if you want, there were one of these groups, one of those masses, if I may say so, it was almost a mass of colors which were too distorted, which were passing on the front, on the foreground.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=2975.08,3593.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Thanks for watching!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3594.07,3594.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And then, if you want, I realized that the press is fighting against the postcard side. But here in the neighborhood, it's really a lot of work. When I built a painting, it was built like that, with a deformation. Because I'm not a painter. It's not a job to finish an instruction. I've never seen other filming. But I know, for example, from reading, that some directors and other operators do a lot of work with the exact angles on which they are going to do the impression. We don't know that. That is to say, it was exactly, it gave me the impression of the painter who arrives in front of the landscape, who puts his horse, who moves it until he realizes that in such a place he will have a much more valuable mass balance, it gave the impression to me of a painter who arrived in front the landscape who puts her horse. No, it's not a good balance. I don't want to use the defense anymore. There, it is absolutely impossible. In fact, we have a plan. It's a good plan. It's the first plan. It's very aggressive plan. In a very big plan, it will not work. Well, I'm going to give it a try. I don' t know how to defend myself. Ah, that's it!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3597.009,3689.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e So, uh, did you see him? Did he put his camera in place first before recording? Yes, he did. I have an idea. I'll change it. You have to change the camera a little bit.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3692.11,3708.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's easier to change the actors over time. It's easy to change a camera if you don't ask for it. It's also easier to say what you want to change. An actor has to move the camera, if it's not presented in the right way. What do you want? Do you want a plan? Nothing is really definitive. That means you can't put it on, you can not close it, you have to ask someone to block your way. This place is the Don Quixote, isn't it? Yes, it is. In front of La Coquette, we had a great time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3711.69,3742.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e In the name of Allah, Allah is the greatest.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3744.09,3745.009"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You I only remember one thing, he listened to Kloké. He listened to kloké, yes. I have the impression that he wants things, but he's not completely out of it. Maybe if, for example, Klokè says it's impossible, it becomes impossible to find a section that was made, well, if you want it's a big plan for a year when I go to my mother's house He was folding, but he didn't tell me he wanted it to be like that. He listened to me. He was right when he told me that he had more respect for the technique than for the performers. Which is true. For us, there is no respect, but who knows? He was a great artist. He had a lot of material. Imagine a painter who painted red, blue, green, and purple.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3782.21,3868.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I don't know if there was a change like that, or if every time there was change, there was another form.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3881.87,3889.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, there's nothing wrong with that, but... When you cut it, it's almost a plane against plane, plane against plan, plane, it's a plane that you don't allow between two characters. Also, there isn't so much of a plane between the same character, or there are several things to translate. The maximum, if you want, there can be excitement and anger, joy and pain, but that's not complicated. The anger, how do you deal with it? I don't remember if you told me to get angry. Would you say that? No, I mean, you have a closed, hard face. Well, the little thing is...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3899.73,3951.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yeah, I think we'll go there.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3952.529,3953.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, not in anger, but I wanted to say that you have to look rather in anger.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3953.47,3962.029"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I don't know if it's the South Korean or not. I don' know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3971.73,3974.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In any case, there is no ambiance in this film. You see, it's perfectly foreign. Especially the ambiance when you go for lunch, but not always on the table. It's fine, there's never any fun, very rarely, it happens to him. It's crazy, we're in a situation where it happens from the top. Finally, as I told you, in five days, there's a lot of it. That's what I'm saying. There is no... He doesn't learn from his own ideas, from his way, from the experience he's going to have. There is nothing. We could have shot Balthazar as we would have shot him. Listen to me, the body is red. If you want, no, but it's like we haven't been together for a long time. But that, maybe it's just his look. It's an impression. I don't know why he wants to be like that. Personally, I don' t want to ask myself the question. He doesn't shock when there is...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=3974.96,4034.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e No, no, never. So when he wants to create an emotion, does he really want that emotion? Did he ask you to put yourself in the air, or did he want to do it like you were Angela? Yes, but he had to. I don't know how you did it, what did he say?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4036.13,4063.069"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I mean, in a sense, there are still two or three expressions that are relatively easy to learn. For me personally, when you say that you are angry, no matter how old you are, it is relatively easy. It's a question of saying that you're angry, that there are eyes that come to you relatively quickly. And the things that don't favor you, that's it. But it's because there is a visage, if you want, that allows it. But, for example, I don't know, but for a boy, Walter Green, he is the brother. Of the daughter of Big Pocket. As it was a co-production for a movie, he absolutely had to follow the rules and he faced the following challenge and at one point he wanted to change it because he couldn't do anything about it because it's not totally true what he wants. It also came that the type doesn't care. I'm always close to people, I'm close to only one thing. When you do something, you lose it. I'm completely stupid to say that I want to do cinema. I don't care about that. There's a baby running right next to me. Do you want a coffee? No, a coffee, please. Yes. Two coffees. They wanted to change it because... Valentin...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4076.27,4175.939"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e It's a little bit complicated. So finally, if you want to, even if you don't want to have a terrarium, if you do not want to play, you will have to...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4178.22,4189.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't want to, because when someone asks you not to play, it's completely stupid, it can be funny. When you ask someone not to, you ask them not to. You ask them to play as they want. That's not why he says, when someone doesn't ask you to play. He wants it, he plays as he wants, he lives. So he asks them not play. The question is, is it fundamentally related to the fact that you were born in this world? But in the interview, it was an interesting interview, because there was a light, and it was crazy. After the presentation, there was almost no one, you see? But now, because of the light, there were a lot of people, so we were able to see what was going on. What I want to say is that I don't like to call people names, but people who will never become friends with me. For one month, they don't know anything. What I would like to say, is that at this moment, there is a public who is leading the discussion, asking if someone has something to ask. I want them to say yes, they can leave. No, but it's true. If you think about it, we have a lot of problems. Maybe it's because we're not aware of it, but there's always a question, question, question, and question, question, but we don't know anything about it. And that's why I say that in the end, I don't even know what's going on. But I don't like it, because when you do all the same things, you're a writer, you're painting, you are a sculptor, you're in the phase of the closest contact with God. But we don't know about cinema. When we do cinema, we're either with others, and we're especially with others. In cinema, it's just a small thing. There's still a... It's still a guy who does mining. There are still interpreters who play, who give themselves. And there is still a frame maker who makes frames that are not real. What he sees or what it's called, it's not him. It's him who does something. Yes, to read, to take notes, but the other one doesn't. It's just like a machine that does something concrete. Yes, what bothers me about him is that...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4191.139,4350.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e So what's interesting is that he doesn't use the game at all, and he thinks he's looking for a game, but a game...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4357.24,4371.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, exactly. To summarize, when I say I have non-professional actors because I don't want them to play, it's not true. The fact is that if I have a non- professional actor, I make him play. I make them play because I like them. I understand that with a professional actor, there are already peaks. What I fear the most is the peaks among people. And all professional actors have peaks. And peaks among technical people, by the way. And the one who is afraid is one of them. It's true that they take people for granted. But they have a cure for the peaks. The peak is the peak. If you want, for example, I'm looking for another film. And in another film, it would be a bit like the ones I shot in Brazil. I don't know, I can't explain it because I don' remember it, maybe it will come back to me when I will play something else. But I'm sure I took the keys from him. I also took something very important, this precision of the gesture, this science of the gestures, where the gesture is important, where it is placed unimportant.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4372.08,4452.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e The thing is, we don't have a very specific way of doing it, we have people who practice the gestures, but a little bit like the Americans, but can you give me some examples, of the gestures that are done at the top, at the bottom of the gesture?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4455.07,4469.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yes, so a gesture that is purely a question of grossness, where he has taken a lot, that is to say that there is a scene where I place my hand, let's imagine that the steering wheel is on my left. Mm-hmm. When the girl gets in the car, I put my hand on the seat, you see. It's a bit of trouble. She just sat on my hand. It's already been a day. At that moment, he asked for great precision, which attached great importance. I tried to make the hand fall with the fingers He wanted precision on the point where he was supposed to fall. He wanted a precision so that the hand would be beautiful. He did three things. He needed a precision where he would have a natural gesture. A natural gesture is not necessarily beautiful. I don't know how to say it. It's difficult. It had to be beautiful, it had to look good. And that it is placed at a precise place. And then, we go back. Especially in the big plans of the hand, of the foot, where the foot had to land with a stick. The stick had to strike on the hand. When you strike on a hand... You give a little stick like that, the top down, we see the stick, in the frame of the camera, we have the stick that goes, we can land on the back of the soul, but we do not see the tip of the stick. So what I wanted is that with a high gesture at the bottom, there is the stick which departs from the back. It was maybe feasible, with the man who had no protection, that is to say, by tapping anywhere, but by doing it once, because when you give a stick to a hen, it falls. But as soon as you put a protection on a hen on mechanical power, it is very difficult, and even if this protection should not be used by the camera, to give a little stick ... Which gives the impression of being violent. This violence is very strong. It is very difficult. You beat the stick with something that goes beyond. I told him that I could beat him. We met a long time ago. I told her that I wanted to do it well, but by making the gesture, from my left shoulder to my right shoulder. You want the stick, for example, imagine the back of the hand, the protection on the back of the arm. I hit the stick with my hand, but it was broken. We could not see above. So if I give my left elbow to my right elbow, I hit with the bottom of the stick. The stick is broken in the back. But these are things that do not find a limit. He knows very well that he is doing the same thing, that he wants the stick to go through. How does he not know? Because in fact he finds that the gesture from left to right is a less violent gesture than from top to bottom. Which is wrong. There is as much violence like that as there is like that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4476.67,4706.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Thanks for watching!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4707.87,4708.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yes, but he thinks according to the law, but according to what he thinks is the perfect expression of violence. That is, a movement from above to below, which is not necessarily eaten, the movement of waiting for you at the shower is also violent, and even more violent because you are mean, because you're not natural. That is to say that a natural movement is done like this. A movement that is not natural when you are bad. It's a bit like that. It may be wrong, by the way. It may not hurt more. But it gives a spectacular impression. Since it is a completely composed gesture, it evolved. Since the family is different, it evolved to continue. That's what he wants us to do. It's almost impossible to imagine things like that in the case of Saint-Denis. When he imagined, for example, a centimeter of a boat passing by, he had to imagine a centimeter or so of a ship passing by. What you want for an animal-free, it's not possible. When you're on an animal free, you have to change three times the boat, it's an electric shock, it was the first time I've ever been stuck in an antenna. I don't know, but even on the screen, the strength with which I tap on this soul, I break his arms, that's the problem. There are some things that we need to do. We need to find... It's funny, by the way. I don't know if there are any... There are things that are real, instead of being completely pre-recomposed. There are moves that are not real, but that are in reality. Impossible because... Because they are so difficult.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4711.83,4833.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I'll be down there.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4839.04,4839.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e I feel alone in the... In the satanic context of any moment except for...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4840.86,4846.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, I didn't know anything about it, so I didn' know nothing about it. Because there's also a thing that... There's a thing he told me. He told me that he was in a movie. He told a lot of things to me. I thought he was a little boy. There's also something he said about my role. He told it to me, and it's really important. It means that there's a lot to be expected. For about three days of filming a week, it's about three day of filming as a job, because technically, he has very, very few scenes. He has very few, very, many scenes where the rest is expressed simply by a game of scenes. By a game, that's it. It's more of a role for each cell. We don't discover the cell through the cell. We discover through the cells. And on the computer...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4846.87,4912.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e The door is a little bit too late. I'm going to be like this for a bit.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4914.03,4917.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't know if you don't want to, but you don' t see what you're doing. In reality, you don't regret it, because you have nothing but what you have. If you want to make a film that pleases you a lot, you should focus on what you see and interpret it in a good way. If you do it with a good impression, it will be a great film. It will be the only way to do things that you want. It's always a waste because it's a waste. When we turn the scene, he's not there, he has the camera. He doesn't know what to do. He can't look at it. That's why he has a camera. He never looks at it? Yes, he looks at everything. It's strange. Apart from the camera, when we're on a line on a panel, when we have a line, he doesn't want to see it. That's what I said. That's all I said, that's all. He'll see it, it's 4.5 out of 7 hours. Let's get the other one in the way. Don't take it too seriously. I don't think that's a good idea. Let's keep the other ones first. I don't know if you can hear me, but there are a lot of them. There are a bunch of big ones. There are many small ones. There are some American ones. I don' know if I can hear you. There are few American ones, there are many big ones... But no, he did it because if you want, there is no time. That is to say that we see very rarely, for example, someone walking on the street from very far away with a child. We see that sometimes there is a child, sometimes there isn't. Sometimes there is another child. It doesn't even matter how hot it is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=4919.57,5036.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e The only thing I can tell you is that I have a lot of problems with my teeth. So, I don't know what to do with them. I don' t know what's going to happen to me. I don't know what I'm going to do about it. I don´t know. I don ´t know if I can do anything about it or not. I don't know, I don' t know what you're talking about. No, no, no. I don't know what he's talking about, I don´t know. You're crazy, aren't you? I don',t know, I don,t know I don.t know I don?t know I don ?t know I don'?t know I don't know what to say. I don' t want to talk about it. I know it's a bad thing, but I don't want to leave it here. It's always a pleasure to meet you. It's a pleasure. Are you here? Yes, I'm here. Are you talking to your wife? Yes. No, I just want to talk about what you're doing. I don't want to say anything. I think we haven't talked about the things we saw at your place. I'm really happy that you're here. Uh, yeah, we don't know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269#t=5036.68,5138.15"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262269/transcript/79531/annotation/91","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/531/original/trint_Coll458_jb0014_deSica_02_transcript.vtt?1747070562","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/531/original/trint_Coll458_jb0014_deSica_02_transcript.vtt?1747070562"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268","type":"Canvas","label":{"en":["Media File 4 of 6 - Coll458_jb0014_LaFarge_01_p1.mp3"]},"duration":4100.6498,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/content/4/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/268/original/Coll458_jb0014_LaFarge_01_p1.mp3?1739214351","type":"Audio","format":"audio/mpeg","duration":4100.6498,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0014_LaFarge_01_p1.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Testing 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12. Ou bien","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=6.01,13.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The guy who did the round chain of the bike, it's, how do you call it, it was Planchon who did that for Bresson. Plancho how? Roger Planchan. No, no, Planchant who was an actor, well, who was the guy who was on the bike. Well, for the sound, Bressons who was never happy, he took the bike himself to start doing laps. De biciclettes, simplement pour que le grincement de la chaîne sur les dents du... Du quoi?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=13.839,50.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Thank you, sir.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=55.5,56.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That's right, exactly.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=56.34,57.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You're wrong, you're wrong.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=57.59,58.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It's fine, he can do whatever he wants. It's a yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=58.65,61.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Oh, okay.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=62.08,63.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So, the search for fish for beauty... It struck me because, finally, condemned to death, it's very pretty. I don't know, I find it interesting, the fact that one thing is pretty, but it's not pretty as a postcard, or it's pretty as... No, but... It's beautiful in everything. But the movements, the lines, the line of movement in the frame...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=68.04,94.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, because he always fought against the post-apartheid, for example, one day, we made a scene where there was a tent sheet that was planted in the landscape. So there is this tent sheet, with the campers, the machines came, we started 50 times to see if we put the entrance in front of the camera, the entrance on the side or the entrance to the opposite. And definitely... Charbonnier said, first of all, we can't mount this tent because it's made with pieces of string. It wasn't planned, but I painted it. And in the end, Bresson said, no, it's not possible because it makes too much decor. It makes too many postcards. In the past, it was true. It was just a post office, because at that time, if you really wanted to make a house tent, you had to show it from the inside. From the outside, it didn't make any sense. And continuously, it's a terrible waste of time. For example, we come to work in a place. The last few days when I was in Gat, for example, We work in a place... And as soon as the morning came, he found a place with Paris scenes. And Théven Bresson told him that he had to shoot in the morning. So, okay, in the morning, the work plan was made in such a way that when we were born in the morning at the place you had chosen, and in the afternoon we did the mountain plans. The following thing happened, it was that in the early morning, when we had to leave, Brresson said, well, we're going to do the mountain plan. In the morning? Yes, in morning. We went to do mountain plans, because we were supposed to do it in the afternoon. And it worked.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=94.77,205.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Come on, come on, let's do it, let me come with you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=206.7,209.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Thank you very much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=209.43,209.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Le repas, le repas devait... I don't know about that, but it's going to cost a lot of money, yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=211.04,217.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e The meal was ready, and if you had an arrangement with the hotel, they made the meal ready 10 minutes before the meal. We were like, well, no, it's great, Charbonneur is right, we're going to go shoot.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=221.05,234.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You're trying to do something like that?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=236.99,238.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So Choquet was ordered to go to the hotel, have lunch at the hotel and have lunch in half an hour. We went back to make plans that we hadn't made, given that it didn't work. But Charbonnier told him that in the morning it could only work in the early morning. Since we arrived at 1 or 2 o'clock in the afternoon, it didn' t work. But he still turned it on? No, he didn't turn it on.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=240.879,263.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't have anything else to say. He's listening. Yeah, he's listening to me.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=264.48,266.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, but we do other things, but there are moments when he has obsessions, with Cloquet he has yelled I don't know how many times because there are connections that for him are not important and others that hold a colossal importance What do you mean? It's a question of lightning, where there are impossible lightnings to do and he absolutely wanted to do it so Cloquet said, if you want to do, do it, but it will be bad But that happens to him. It's not the same with the hair. The hair. The hair, the hair ties. The first 15 days, my hair was growing very slowly. The first days, it didn't change that much, even if there was no hair dryer. It's very important. You understand, Geneviève, look, François, don't you think it's a bit long? We're going to shorten it. And then after a month and a half, when it had completely changed, when it didn't have anything to do with my haircut from the beginning of the shooting, he didn't care at all. And we put a wick in place, because the wick was like that, then all of a sudden he thought of a wicker, he said, Franchois, lift this wick, like that. A little bit more, that's it, it's very good. Very, very good, don't move, the wick is good. I just said to myself, come on, I'm going to fix this wick on the left side, yes, that is it. But I didn't have the same face at all. Now he is in a perpetual delirium.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=266.2,355.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Nothing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=357.43,357.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But, uh... So, uh, but, uh Is that... Finally, he's looking for something very unspeakable every time, he doesn't know what it is? No, but...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=362.45,375.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, but there is a drama. I think he has a vague idea of what it can be, but he doesn't know what it will be. What do you mean? He makes a plan, and he sees that this plan could be like that, that is to say, it could be this way, but he does not see it. Cinematographically. He doesn't see it on a screen, that's what I mean. He doesn' see it not on the screen. He sees it, he feels it. He feels it? He feels more than he sees it. So, he's waiting for you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=374.96,416.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e To be honest, I don't know what to do.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=417.23,418.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Gosh, you're funny.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=419.26,419.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Can you tell me the location of the bike, or something like that, in front of London? Yes, London.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=420.49,426.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e This is an absolutely incredible example. For example, where I arrive, he makes two shots. Two shots in the same sequence, two shots that follow each other. Which seems very easy, but instead of thinking, because in my opinion, you have to think, the person arrives, but you also have to consider how she will leave. No. So we do the first one, so we place the hane, the bicycle. And interprets it in esthetic positions.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=427.39,459.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Does he already have an idea of the plan he wants? No. But from a larger point of view, the size, the camera, what.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=463.28,469.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, on full camera, yes. Now, the place that the objects or the interpreters will take in this frame, they don't have.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=469.86,480.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I always start with the camera placement","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=480.97,481.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Uh, yeah. Yes, because at that moment he follows the scenario, where there is a big plan or a medium plan. But for example, he sometimes wants false cuts. He wants almost neither a medium nor an American plan. How do you know this term?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=483.909,509.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Did you hear him over there? Yes!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=512.32,513.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, the name of the painting of Chiaveau, for example, Chiavault, at one point, he was the frame maker. There are false cuts, that is to say that he cut neither in the American plan nor in the average plan. It was not possible. It was at that moment that they agreed if they were going to make an average plan or an American plan. As long as Bresson was thinking, he decided, let's say, that he was making the American shot, so we were moving the camera back at that time. At that moment, Bressons said, well, that's fine. Very very well, now, yes, but François, you understand, he's way too much to the left, you see. What do you see exactly in your camera? Ah, you cut it here. No, no, leave some air above. Well, we left some air. So we put, we put the bicycle, the bicycle like that, no. Let's put it rather in that direction there. But in the direction where, if we take that it was a shot that followed another... I couldn't move at that moment. I couldn' t take the bike to go back because it was in such a position that it was impossible for me to take it, the bike, and that I was talking about a natural movement. But they didn't see it. So once we had put it in place, we turned this plan. And the next time, the next shot, under exactly the same lighting, instead of being in front of the grid, I was behind. I was leaving the camera, I passed the grid. I detached the lens and I took my Solex. It was perfectly impossible for me to take my bike Solex for the following reason, it was in such an uncomfortable position that every time it slipped. I had to go to Calais, La Rousse had to cross the road and Lannes had to leave before me. We had to start over almost eight times. For the action? Yes, for the action. Eight times. I started more often for the actions. Personally, I don't have much to complain about. I didn't make a plan, a repetition, a shot. He didn't even make a security shot. Yes, at the end he loved me a lot, I think, and he really trusted me. But even, well, normally I should have done this price once, or I should've done it three times. Simply if we had planned at the start that I would arrive and that I put my bike in a practical position to be able to leave. It's a guy who, instead of putting his camera down, can also put down a horse and take a scene each time. For example, his film is a film that takes place in the countryside, so let's say... Imagine a painter who comes to a village and sees scenes of the life of this village and he puts his horse and he makes a sketch and he takes his horse again and makes another sketch. He's a bit like that. He doesn't see that it's constantly in motion.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=513.28,693.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And they reflect everything in a level through the several plans they have.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=697.56,700.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, I don't think so. Personally, I think he only foresees the plan. Maybe, at some point, he foreseeds connections. But, for example, for everything mechanical, I realized that every time I had something mechanical to do, every time that I had to drag, for instance, Balthazar with a chain on a motorbike, go back with him, take a bike, they were always in absolutely impossible positions. When they arrived, esthetically, it was perfect, they had a good frame. But for the mechanical game, when I had to take them back, it made it impossible for me to do it naturally. So we were forced at that moment... Yes, we were constantly doing calipers, terrible things, where we simply took a picture of the jacket with the transistor that was passing while I was turning the bike, because it was not possible to turn it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=700.34,761.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So, one of the key of the drink is the key to the jelly. So, what feels good in the case, from the point of view of plastic. It's antiquity.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=764.41,771.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yeah, but I think it's his main criterion. He wants it to be beautiful.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=772.99,775.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He repeated it all the time. It has to be beautiful.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=777.87,780.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, but we felt it, yes. We felt it but he doesn't repeat it, he says nothing. First of all, we can only feel it at home.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=782.3,791.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Pellegrini told me that once, many times in a pickpocket, he said, ah, that's beautiful, yes, it's beautiful.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=791.62,797.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, but that's his big criteria, but he only shoots because it's pretty, because it is beautiful. He doesn't want, for example, a scene where there can be an atmosphere, an ambiance, he doesn't care about that. What he wants is that after having put his background, his secondary plan and his main plan, things evolve. As in a painting, that is to say that even in the movement it is always in a place that is esthetically speaking You mean that there are different scenes, the same image The same image, yes, but if you want esthetically If you want, the interpreter's head, which is in the foreground, does not go into a bottle because at that moment, if, for example, he takes it the other way around, it will make a very ugly shape. Or if it takes the head, it takes a certain part of the head. So at that point, he asks the interpreter, he tells him, listen, get out of your way to get there, you see, you have to have the bottle in your ear. Do not put it on your nose, if you have it on the nose. Use that? Win! It's a completely blurred shot, which should be considered completely blurred, without a doubt.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=798.24,873.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So he puts a lot of weight on the visual effect, right? The visual effect. You also told me that there was a time when he had to put his hand in the car, on the seat of the car. He worked long hours for the hand to be laid down.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=877.92,898.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, I think this is one of the moments where we feel the most that it's for the esthetic. Because in a scene, for an actor for example, to whom we would ask, you see, you put your hand on a relatively uninvolved gesture and at the same time very half-hearted, very, very troubled. Troubled. When you put your hand down, it's not that important. As it's a close-up for the camera, it's important to make sure your fingers are a bit out of the frame. It didn't matter so much to another director. For Bresson, it mattered a lot. He was careful with the point and the way the hand was placed. For example, he found that the thumb was too far away from the rest of the fingers. So he had to bring the thumb closer. Then he found the fingers were too far apart. So he needed to bring them closer. Then he thought the hand wasn't flat enough. He had to put the hand completely flat, in a perfectly false position. Well, mechanically, I speak falsely.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=899.16,976.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You have a good plan, don't you?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=978.16,979.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He does a close-up on it. The thing is, when you see the hand on the screen, it's very beautiful. Esthetically, it is beautiful. That's why he works a lot in close-ups, he takes the movements, the mechanical movements, but relatively further. Because, for example, if I had lowered the hand as he asked me to, to bring it into the shot, it wasn't beautiful, if we took it in close up. While in the foreground, it can be very beautiful. But continuously, he needs the gesture to be beautiful. It's impressive that he wants his interpreters to express through their behavior, their way of being, their ways of walking, their...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=979.35,1025.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is he talking about your way of walking?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1027.47,1028.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Non, jamais.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1029.91,1030.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Did you notice other people working on it? Or were they simply looking for nature?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1033.39,1038.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He looks for the natural, but the natural is through totally false things. That is to say that there are people who can make a play with a real approach but which is not beautiful. He asked them to make this play in an unusual approach but in a beautiful way. Say hi to this fable.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1041.25,1071.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Kiske for zero.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1072.09,1072.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e For example, in a scene where he is incredible, you have two steps to take. For example there is a master before going out. You have to give the impression of running. One thing is totally wrong. He says, you understand, you are going to leave in a fast but slow pace. Almost running on the spot. Which is completely stupid. We can't leave by doing it on the spot, by giving the impression that we're leaving quickly. So at that moment, he didn't want to change the axis. He absolutely didn't wanted to take things any further. He kept exactly the same point. The interpreter had to get out of the way to do this thing, which was impossible.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1075.21,1126.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e This is a master surplus.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1127.85,1128.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You see, the camera was about a meter or two away from me. I had to get out of the frame and give the impression of running. The next thing that happened was that in the frame, when I started, I was doing a leg swing and I was getting out of frame without giving the impression of anything. You could see a character who was finishing a line. He was running at full speed, that's all we could see. It was not possible to give the impression that I was running in the frame, because the frame was too restricted. Only if he hadn't gone any further, maybe he thought it wasn't beautiful. It was moving too much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1129.63,1172.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I remember that Boisson told me when I told him in 1962... He had a review of Kyo and his companions, he said it was not bad, even very well, but he said, Stierfoss, the cameraman never stopped moving, I was wondering if it was possible that I could do that, but there is something about the movement, too sudden in the case attention.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1174.23,1203.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But one thing he's right in a way is that, for example, for a stage play, when he asks someone for a play, instead of doing it on a normal rhythm, he makes it do it on an entirely false rhythm, that is, very slow. Oh yeah? Very, very slowly. But... But he insists on it by giving the expression...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1205.63,1224.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm going to explain what's going on.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1224.28,1226.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e For example, for games where you run, you walk, you enter the frame, for example, there is a shot where I entered with a bottle in my hand in the frame. And we first saw the bottle coming into the frame so the natural movement, because it was a movement where I threw a bottle into an ice. So I left the bottle at the bottom. I put it up and I threw it away. When you do this movement, there is a certain rhythm that is relatively fast. At that moment, you have to completely know the rhythm and find it way too long. I had to put the bottle up very, very slowly, bring it into the lens, and very slowly I move forward, I take three steps, and I throw my bottle away at that moment. But always keeping the bottle in the lens. Maybe the screen should be more violent.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1227.96,1289.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Working for 5 years, that's probably not worth it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1290.61,1292.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1293.31,1293.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Well, it's always what he did. So he decomposed the movement like that...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1293.89,1299.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He didn't tell me, but he gave me some tips during the shooting. This year, during the shoot, he told me to put the bottle in a lot slower. You put it in the frame, slowly, very, very well. Now you go two steps forward, slowly. There you go, you throw the bottle. While other scenes I did faster, which was perhaps not worse, but which for him did not respect his rhythm. In the end, he doesn't do much, he corrects a little. If there is text at that moment, it's correction, it is especially repetitions after him. That is to say, he does not try to explain to the interpreter that he must say his text in such a way. If after a certain number of takes, it still does not go. At that moment he speaks and we repeat behind him.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1300.44,1369.42"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Au début, il dit pas ça.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1370.67,1372.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, at the beginning, it depended. With me, he didn't do it. Now, I can say that it's a general rule. With me for example, in the scene of the gendarmerie, he let me speak alone. That is to say, he found it either too long, or too long. But at no time, he cut me off. He let me continue to finish my scene, both mechanically and textually.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1372.42,1397.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is he... Is he cutting you? Uh... Is that... Uh... I'm not sure, but I guess I have an idea. Did he ask you to come and fall at the end of each phase instead of going up and down like that?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1398.18,1422.69"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I don't know what you're saying.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1424.48,1424.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1426.56,1426.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, rather, it depends, but it's a sentence where he asked to go up instead of down. Oh yeah? Yes, for example, I have a very exact memory where I said, Fortunately, I brought a revolver. So when we talk normally, we say, Fortunately, I brought you a revolve. And he wanted me to say, I brought him a revolv. It's higher. No, he rarely asks to go down at the end of sentences. It's different. He came with me and asked me to... I have a memory of Zack, because I started again, I don't know how many times. I started because he thought his dialog was too long. That is, I said too many things and I repeated things in another scene. So to avoid these repetitions, I cut the dialog. That's why we had to restart the scene, because he found that the dialog was long.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1427.18,1483.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But he still cut it in the deal.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1484.81,1486.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That is to say that he re-created a much shorter dialog. Are you in bed? Yes, precisely because I have all the dialog.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1487.83,1495.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Do you want me to do a dialog that's a bit iconic?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1502.01,1504.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, it's very short, you see, I can show you, that's exactly all I have to say, almost 60 days of shooting.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1504.64,1511.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's a joke. It's about fifteen pages or ten pages. That's all. Ten pages of dialog. And yet, you're here for most of the time. Yes, as long as I have time, I'll show you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1513.43,1525.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e No, no, no. We haven't come back to the house. We can't go back to work. Well, that's what it's like. Yeah, all my work is done at the plant. Yes, that is it. The first pages, yeah. Well, in all, there is...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1529.45,1545.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, no, no. We'll go please. I have the end, exactly, that's why. I don't have the beginning, but it's easy to know. I have end. Let's go up. 161. Let's see.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1548.11,1564.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e 175 pages I am number 709","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1575.929,1579.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Donc es qu'il a respecté ce numéro","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1581.689,1583.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, there are some that he grouped, but most of the time he cut them off. Oh yes, he cut the numbers. For example, I read a random number, for example I read 98, there was 98A, 98B, 98C, rather than...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1585.56,1606.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So, what did it contain? Different widths, different plane widths?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1607.39,1612.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, stage plays were taken in different angles. For example, they would take a big shot and then take a medium shot. For example for the oil bottle, two bad boys would enter the field holding the bottle in their hands. There was no bad boy. There was me who entered the field with a bottle of oil and from very far. While there, it was noted as an average shot. While it was taken as a whole. And where I arrived gradually on the camera and I poured the oil. If you want, everything was shot in continuity. There was not a panoramic for example. There was a... It was marked by a... Yes, there was a high and low panel. Yes, he respected exactly that. What he didn't respect is that I didn't arrive in a medium plan. I arrived in a plan together, and I ended up in a big plan. Ah yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1614.04,1681.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, no, no.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1682.97,1683.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Uh, yeah, but...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1683.83,1684.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Well, with a panel, a plan, a single plan, you can't have a big plan anyway. You can advance on it then. Yes. All right, all right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1685.71,1695.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, the camera does not move. The camera is fixed, I go with my oil bottle, I lower myself, and when I lower, relatively slowly, the camera made its panel at the bottom and took the oil bottle with his hand.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1696.76,1710.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e How did he give you indications of the game? First of all, he turned off his camera before you knew what you were going to play. You knew what was going to happen the next day. Because you turned off the game two days before. Yes, yes, but no...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1711.95,1728.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I don't have an example here, but he didn't always follow his work plan. Either because of the bad weather, or because of... I don' know exactly. He didn't follow his plan all the time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1729.03,1743.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So that's your book, literally, Dialogs with a Man.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1746.469,1748.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, it was for myself because I was wearing it on myself, so instead of packing the script, I prefer to take it off and look at it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1749.07,1758.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is he going to give the script to everyone?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1759.27,1760.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He gave it to Anne, he gave it completely, he wrote the whole script. And the others... No, it's just a part. We start page 24, there are a lot of cuts. But it's not important because I had a lot to do. There must have been a lack of a certain number of pages.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1762.1,1783.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He didn't know at all what happened to him. For him, you could spend all the time without knowing what he was doing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1790.29,1799.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He doesn't want the interpreters to know what they're doing. I think that even if he knew... He would have explained it. No, not at all. For example, what he gives you, for example, when I knew I was doing the role, he gave me exactly the two sequences that I had to do. That's absolutely everything. For a week, if you want, at most. It's time to learn the text, that's all. No, he doesn't care that the interpreter knows exactly in what context he is. He leaves him in the most complete mess. That is, he does not know why. He is suddenly tightening a thread in his arms. He doesn't know why, but that's what Bresson wants.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1799.33,1853.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Have you had other confirmations of this, in your way of leading yourself with cold or cold?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1855.439,1862.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I believe so, because for all the characters, for example, he gave only parts, only their roles. There is only one person to whom he gave the script in full, but it is to Anne. For example, Anne is also the only person who is made to work. Made to work, that is to say that he is conditioned, if you will. During the shooting, he made her repeat scenes that she would have to do. In about 15 days. Anne is a boy named Walter Green who plays the role of Jacques. But he was different because Bresson, in the end, even after the rehearsals, didn't find it good and wanted to change it. Because the other one didn't care at all. And he had a lot of work. But for example, with me, personally, it was very simple because, Well, in addition, perhaps it must have sanctified life, but... We never rehearsed. He never told me, you understand, François, tomorrow you're going to do this sequence, you'll have to do that or that. In general, I would arrive, and he would say, well, we're shooting this shot. We're shooting that shot. That's what I want. You walk, you do three steps, you take a beer on the table, you drink, you shoot this sequence. Very good, thank you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1864.78,1955.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He gives very precise and concrete indications. How often does he give general indications?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1955.29,1963.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I've seen my baby","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1963.42,1964.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It's like he doesn't know what he wants, for example, at some point... I was riding a bike and I had to get to the... On the car, to hang the car. And there was a tram in the two-horse stables that passed by. The car. And he never thought I was in the frame enough. But he wasn't able, from the start, to say, for example, you're going to put yourself in such a place. I put myself in three different places, but three different locations that I found myself in. I told him, for instance, I'm going to sit there. I'm sitting at the height of the wheel. How much do you need? We did a couple of takes and he said to me, no, you're not ready enough. And he got angry, saying that I wasn't doing what he wanted. I was doing what I wanted, but it was mechanically impossible.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=1969.9,2028.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is that the name of the song? Yes, that's it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2029.64,2031.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, because it was one of the only days, maybe it happened three times during this shooting, where I got angry and said to him, well, I'll stop, if you don't know what you want, it's not my fault, I'm not going to do stupid things all the time. At that moment, by the way, he himself never gets angry, he said to me, well, listen, we should do something else. So I went to another place, which was in front of Les Brancards, that is, almost next to Balthazar. At that time, he says, that's exactly what I was asking you. But something he had never asked. I don't know what his way of thinking is, but it really gives the impression that if you want, if you are not sure of yourself... You tell yourself, it's true, he told me, even though he never told me. But he assures you... In such a way as to say that he had already said that, that it was exactly the stage play that indicated to you that it is you who is unable to do it, that you are almost going to believe it at some point. While it's not true, he is constantly waiting for you. In a way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2033.33,2100.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He didn't create an ambiance with his interpreters. Not with his...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2103.58,2109.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Neither with his interpreters, nor with anyone. There is no atmosphere on this set. Really, we have the impression that people ...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2107.48,2114.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There's an ambiance, but an ambience what? Cold?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2114.33,2116.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, the atmosphere is very cold and we have the impression that the people, well, on either side of the camera, they are really going crazy. They come because you have to work 8 hours, we are paid for that. We don't want to make this film, in a sense. We don' t want... It's interesting when you're in it, during the whole day when we are in the bath. It's interesting, time goes by quickly, but every night when we eat, we say to ourselves that we should start again tomorrow morning. We go there sometimes with a certain pleasure, sometimes we go there with love in the soul. We say to each other, well, we have to do it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2117.51,2161.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Does he explain these means, these methods, this way of working, at one point, with these interpreters? No, never.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2165.319,2174.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e With me, personally, he never explained anything to me. He asked me for things. He never even asked me to participate in a way. He asked for me to be what he wanted me to. So I...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2175.65,2188.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Well, did you have the impression that he was trying to stick something on you that you weren't? As he pretends to teach people who have the moral aspect of...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2189.02,2198.24"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, because in the end, no, I don't think so. I don' t think so because he doesn't put anything on their backs, in the sense that he chooses characters that are... Who play, but who have, physically for example, and mechanically, the temperament to do that. For example, when he takes Anne, he asks for a girl who is a bit soft. She is not so soft, but she tends to be. And if you want, if you work her in that direction, she really becomes. For example, for the role of the bad boys, in a way, it didn't change me that much, because if you want... I was a bad boy, a Bressonian, but not so mechanically. Simply because what I said, the texts I had to say, were absolutely not words of a bad guy. But in the purely mechanical game, No, no, no. He respects, well, he respects, that is to say that he takes things from beings. But he still lets them play because he can't tell them Don't be a bad boy and still be a good boy","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2198.71,2299.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So what do you mean, he takes things from people, and then after that, what do you mean? He says, and he let him play anyway.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2300.53,2309.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, he played it in a way that when you show an individual a script, you tell them, that's about your role. You tell them the script. Obligatory, even if you are the character, you play it. Because even in life, you are playing another character. When you go to the grocery store, you're playing a character. When you're at the bakery, you've played another character, when you're with friends, you'll play another character again. And when you go into the cinema, and you take a script and you read it, you're again playing a new character.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2310.83,2356.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So how was this other character, for you, an individual on you, through exasperation? Okay.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2357.06,2369.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, but when I said, for example, that the character's question is that he wants non-professional actors, but even if we take, for instance, in a role of a bad boy, a real bad boy. But it's a bad guy who will play the role of the bad guy. What he didn't know about him. What he doesn't want to know, I think. Because he believes that the character is a rough character, but rough characters do not exist. There is no character who is necessarily distorted by the world in which he lives. That is to say that people before the mention of cinema did not behave as they do now. Because now that they go to the cinema, they behave more or less, but there is always a certain mimicry. Characters that have marked them in their childhood. For example, if they went to see a movie with Gary Cooper at the age of 15, they tend to copy Gary Cooper's approach. And also, unconsciously, they don't take it into account, but when they are asked to walk in front of a camera, they say, here, I'm going to walk like Gary Cooper. And they tend to work like Gary Cooper. In Bresson, you can't do anything, but people have to do it. That's very interesting.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2389.58,2480.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Did you notice that you were trying to find things? Yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2482.02,2488.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, because at one point, for example, I found a... Well, personally, for me, for instance, I shot a certain sequence where I gave a blow to a soul, where I really felt like I was playing Marlon Brando in a scene of violence. But it was something quite unusual, by the way, because... And the more we started it, the more I did it like that. Because for me... I don't know, I had been marked at a certain point, the way in which Marlon Brando had to hit something or someone. And when I was put in an analog situation, I didn't do it like myself, but like myself through the game of Marlon. No, like myself playing Marlon already. But unconsciously. Well, it's more or less unconscious and more or less conscious. But when you did that, what did he get out of it? Nothing, he found the scene very good. But yes, because Bresson can't know it. But I'm sure that if I had explained to Bressons, you understand that by shooting this sequence, I identified myself with Marlon Brando. Bressonn would probably have been very upset if we had started the scene again. He doesn't realize it because he thinks he's the most popular in the world and because he has no cinematographic culture. I don't think he has a lot of experience in cinema. He has a bit of a cinematographic culture. So, in the end, the only person we could really... We could be completely grumpy, that Bresson could very well take an interpreter who would play exactly like Fred Bogard. He himself wouldn't know it, and everyone watching his film would say, but if he's an Afro-Carbo, he plays like Fred Bogaard. That's it, in short, where Bressan is crazy, it's that he has the impression, and he says it. Who makes his own films, he takes characters that are not yet distorted by cinema, but they are, as much as professional actors, in the sense that they are distorted by these same professional actors but to a second degree.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2488.59,2629.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What kind of education did he give you for the necessary stage plays? For example, has he ever... Tell me about it. Has he entrusted himself to an education of emotion at your place or at another place?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2631.79,2652.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, because he doesn't create emotions at all among the performers. He doesn't ask them to play, he asks them to make movements mechanically. For example? That is to say that in scenes where there is a walk or a movement, he doesn' ask the performer to make this movement in a given context. He asks the interpreter to make this movement in the abstract. That is to say, he says, you understand, you will walk, you are going to do exactly this route, you're going to get here and I want, the moment you get here, your paper, the call you are making, falls exactly in the axis and arrives in the background, to the camera. That is, it is more or less a question, at that moment, it's interesting. Because it's technological, that is to say that for an actor, working with Bresson, it's at this moment where it becomes interesting, it's that on the purely technical level, on the level of precision, it has an interest. Because if you want, when you make a film with Breson, you are very precise. You are very accurate because it seems completely stupid, but coming from afar... For example, to be able to grow in the objective and to be in the middle of a call when the cameraman is going to make the sign. It's still a technique. You understand? It becomes a job. It's a job where you don't ask to play, where you ask...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2654.55,2762.85"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2764.59,2764.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Presidency","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2765.15,2765.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Est-ce que tu as remarqué qu'au fur et à mesure que tu travaillais, c'était un peu un métier qui s'apprenait.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2766.2,2771.8"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, I think that for people, for example, for actors who would not have so much, because it's a gift. It's a given. There are people who will never succeed, there are people that will work very easily, to do the same gesture 50 times. It's purely a matter of mechanics, but mechanics of the individual. That is to say that 50 times they will be able to stretch a glass, by arriving exactly... At the same distance from the lens. That is, if we ask the glass to fall 50 cm from the object, 10 times the glass will arrive exactly in the same trajectory, at 50 cm of the lens For me, for example, it was very easy because I didn't know, by the way. I discovered it by shooting with Bresson. I have a certain precision and a certain memory of the gesture I made. At the same time... I think Bresson would have an interest in working with people who are very narcissistic. It's narcissistic to say yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2774.029,2844.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Read the quest.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2845.31,2845.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, because there are people who look at living, who look to do, and Bresson asks people for precision, and when we start over 50 times, if we don't look at doing and if we do not look at life, we are unable to do the same thing 50 times. It's a very interesting process. So, if someone is a very narcissistic being, and he should have chosen much more narcissistic than he did, he would have exactly the precision he wanted.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2845.93,2873.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So we think that the method of Bresson techniques encourages a certain duplication, that they say they are not looking for.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2874.97,2882.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, I think it encourages a certain duplication, but because it necessarily encourages a duplication because its way of working is such that you can only duplicate yourself by working with it. You can't be yourself, even if you wanted to. There is too much coldness. His failure, in the end, there are many, but his failure in the direction of the actor is that we can be a very good director of actors by telling people, you are going to work, you will be yourself. By telling people you are yourself, you must first put them in confidence, you have to work them psychologically, which Bresson never does. Bressons takes them as mechanics, so if we take them as the mechanics, they double, they become others.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2885.43,2931.4"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The first time you told me that Bachat was sometimes free. Yes, he was. He was always free.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2932.97,2939.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/121","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He leaves a freedom, but a freedom is the freedom in the gesture. Because Bresson is not a being who, first of all, has the sense of gesture. The sense of gestures he discovers in others. I have the impression that he is a man who likes music, I'm sure of it, because it's like a being that discovers Schoenberg or Albanberg. He discovers a rhythm. So among the performers, he also discovers a rythm. So this rythm pleases him. This rythm is a little bit himself, so he leaves it free at that moment to express it because it goes in his own way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2940.11,2983.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/122","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And from there, try to crystallize it, to say, well, you remember, you have done it. Absolutely.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2983.53,2991.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/123","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Absolutely, yes. He tries to crystallize it in his own way. That is to say, at that moment, he starts from the idea that it is almost him who found it. He brings him certain touches, retouches. He erases certain things that he does not like. And at that point, he tries to find, at most, while keeping the purity of this first gesture, But through this fear, he wants it for himself, so he already wants it falsely, he brings things to him. That's why he starts again often, because he brings, brings, bring, brings. He takes it away, he bring it back again, he takes it back, and at the moment, There was a moment when the character was completely lost in a way. He falls with his rhythm, but in Bresson's rhythm because he listened to his instructions. The biggest dream for Bressons is to fall on someone who would never listen to what he says. Because if he falls on a being who doesn't listen, a being that plays, who could play very well by the way, but who doesn' listen, Bresson is completely fucked up. His rhythm is completely broken. He needs people who are malleable. In short, he needs the English land. He needs material.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=2991.41,3085.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/124","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He said that there were times when he gave you indications of emotions, not by trying to suggest them to you, but by telling you everything. Here you get angry.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3086.97,3097.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/125","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, but at that moment, it's always the same. He says, for example, in the text, for instance, there is, you smile. You play during all the rehearsals, you smile, and at that point, Bresson says, it is very, very good. I am very happy. We turn, we turn. So listen, François, you are going to do one thing. You smile too much. You are going give me the passion, At that moment, what I said the other day was not totally true by saying that we had the impression that people were smiling without smiling. I believe that it is true in life. I don't know if it is perceptible on the screen. I could only say that because I didn't see it by chance, because as long as I haven't seen it, there is nothing at all, I can't realize it. I will realize, because I remember some scenes, but not all of them. For example, this very precise scene in the car. I know that I should have, by the end, when we worked, an air of laughing, without laughing really. So if it is on the screen, it will seem impassable. And it can seem more real, like in real life, when I give the impression of laughing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3099.22,3191.42"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/126","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e One last little thing on this. We're bothering you. I brought it in there for work. With my little... My methods of... Of... We'll have to go through it again to see if it's good. Excuse me, you told me a lot about the look on the drink. We didn't say anything this time. About the look of the drink...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3195.51,3231.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/127","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I'm going to get out of here.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3234.55,3235.39"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/128","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Look, it's important, not so much for what he wants to express, but it's important in terms of rhythm. If you want, it would be the tempo of a jazz music. It means that there is a melody and a rhythmic section. The melody is always supported by the rhythmic section. In Bresson, the rhythmic part is the gaze. The melody, which is the text, passes and is supported by gaze. Continuously. C'est-à-dire que les moments... How would I explain that? I can't explain it right now.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3248.97,3305.62"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/129","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e I don't think that I care about how much tape is here.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3320.0,3322.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/130","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, I think that for example, when he says on a monochrome tone... And everything is said. Everything is said on a single tone. And for example on the screen, it seems monochromatic, but it seems at the same time monochronous and rhythmic, because unconsciously there are the eyes that play. That is to say that let's imagine that we simply hear the text of the film, we find it terribly flat. Once we see it on the screen... There is each time the eyes, the eyes that fall down, that come back on the character, the eyelids that close again, and a rhythm at the same time visual that marks the ear, well it's not the expression.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3332.64,3381.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/131","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That's it. It changes the rhythm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3380.84,3386.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/132","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It changes the rhythm, unconsciously, it changes completely the rhythm. That is to say that even if we debit a text on a monochrome tone, I don't know, for example, because I have the texts here, there is the scene of the gendarmerie. Ahem. I didn't want to be part of the gendarmerie, if I remember correctly. It kept my private life and I refused to answer. It looks at my private life. I refuse to answer. And he told you that, like that? Yes, that's it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3390.79,3432.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/133","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Avant, il avait dit que tu l'avais dit, hein?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3433.68,3435.18"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/134","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e He says it before and we repeat it. He's still there. During the rehearsal, we repeat. We repeat. So he says it and then he lets me play. So I... At that moment, there are games of looks. For example, when we say, I look at the captain in front of me and I tell him, he looks at my private life and I refuse to answer.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3436.51,3458.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/135","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Thanks for watching, and I'll see you in the next one.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3458.75,3459.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/136","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e At this moment, the replica asks to lower the eyes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3460.22,3464.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/137","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3465.36,3465.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/138","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e On the ground, yes. That is to say, at the end of the replica, we lower our eyes. We lower our eye, the captain does his replica, and at that moment, there are also rhythm changes with the sentences. For example, the next sentence is, how do I explain it, is it up to me to explain? So instead of saying, how to explain it is up to you to explain, I said, at that time, I look at the captain, I raise my eyes again. And I lower them by telling him how I explain it. I look at him again and it's up to me to explain. His rhythm... I don't know, we can't translate it that much, I think we need to see it in the picture first.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3466.22,3513.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/139","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But you told me that an interesting thing is that it goes on to the next step, where the interlocutor is taken by the eyes. Can you explain that to me a little bit?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3515.01,3525.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/140","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, for example, we often start a scene where the gaze is lowered. We raise the gaze. At that moment, there can be changes. Some shots start with the gaze raised, we lower our eyes, we look again, and in the course of the text that we recite, we lower the eyes again. But that's to keep the rhythm. We need to have high moments and low moments. But in principle... Well, from what I could see, it was in all the text that I had to say. We started very often, when we were talking, the eyes lowered, we lifted the eyes, we said the text, and the person... And we lowered the eyes again at that moment, and the person had exactly the same play of scene as you, that is to say that in the editing, when the character who is in front of the screen opens his eyes, let's say text... We see the other one with his eyes down, who raises them, who says his text again,","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3529.0,3598.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/141","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He lowers them and so on.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3598.71,3599.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/142","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e For every point where he spoke, the game of the eyes is very important. Very important. What's not stupid is that it's a bit systematic, like everything Bresson does, but it's an interesting idea because it rhythmizes the dialog a lot more. Because it's completely unusual, completely false, the only way to make it true is to play with the eyes. It seems completely stupid.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3606.97,3637.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/143","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Because I can't dress because I'm American.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3640.73,3642.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/144","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, for example, a bad boy will never say, it looks at my private life, I refuse to answer. Well, yes, he will say, for instance, it looks into my private, I don't want to answer it. You have to see the text as it is. For example, in this sequence, the last line is false. Because, it looks my private and I refuse answer it, how do I explain it, let me explain it. Let me explain.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3643.75,3668.169"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/145","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Expliquer quoi d'expliquer et ça c'est faux hein","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3669.69,3671.549"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/146","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, it's relatively fair, because it's quite ironic in a way. And then he says, since you suspect me, maybe I'm the one you're looking for. And the captain says, how, how? The one who killed. At that moment, I don't know what he says. And I say, no, he says nothing, by the way. These gentlemen didn't take any part in the crime. All of this is very ironic, in the end. At that point, there's a moment that's very fair. It's when the other, I don't remember the captain's line, where Scherrard says, I wanted to get rid of the police. In the end, he gives an explanation without giving one. But the sentence that is completely false, in my opinion, is the other saying, well, I'm going to put you in prison. And the sentence which is completely wrong is, No, no, I am innocent, I swear. You can take all the texts, a bad boy never says that. I don't know, it's something that's impossible to say. Plus, he asked you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3671.91,3736.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/147","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e See you next time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3736.649,3736.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/148","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e In addition, he asked me for a scene that was perfectly impossible to keep. We can't, after all this scene, which is still very ironic, say, no no, I'm innocent, I swear, by crossing the arms. First of all, his first stage play was this completely delusional idea of crossing hands as if I was praying to the good God, for example. This is an idea of a priest, by the way, because he is a very good priest. And then it was to say, no, no I am innocent, I swear it. The hands in front of the face. The hands before the face, which is completely wrong in a scene, I don't see what would have been the continuity in there. Why not just put my hands in front of my face and say, no no, I'm innocent, I swear it. But he still accepted... No, at that moment, we did a scene where I said, no, no I'm innocent, i swear it, by staying with my arms along my body. So you were the one who said yes? Yes, because I did it like that. I showed him how I could do it otherwise, and I said that the only way to do it was to stay with my hands along my body. So we did the three, only I followed, well, I followed them because... We don't have the right to see the rocks, but I followed him through Jacques, who was my friend and the first assistant. And he took the one with the long arms, which is indeed the best. We often don't realize what a scene can give, because what we record with the camera is different, but there was no problem.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3737.2,3830.18"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/149","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So, to play a character, you told me, I was wondering how real was this feeling of playing this character, or how much you were doing only mechanically what he asked you to do. But it's the new","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3832.529,3848.629"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/150","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e We never do it mechanically, I think that we are conditioned from the start, that is to say that we will interpret such a character, well we know it because we even understand it. But you didn't know who this character was. No, but it doesn't matter, it's still a role of bad boy. So even if we want, with the costume, because I think the costume has a very important place. In cinema, for example, we can't play the role of a bad boy with a smokey. We play the part of a poor boy, but of a somewhat jiggly boy if he is 20 years old, and somewhat gangster if he's 30. That is to say that the outfit has a colossal importance. That is, we cannot play the roles of a paratrooper dressed as a sailor. We have a completely different perspective. We have never been sailor or paratroop. We will continue differently because the costume conditions certain gestures. That is to say, for example, with a leather jacket, as I said the other day, we do not take a glass in the same way that we take a glass with a smocking. Even with anyone. And even more when we play in front of a camera. Because at that moment, instead of entering all of this within yourself, we express it. That is to say, instead of erasing the gesture, we...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3848.71,3939.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/151","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e We go out, we make love. So, by working with you, has he often worked with you? You have helped a lot, by trying to really explain yourself too much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3942.569,3952.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/152","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, it depends. There was one time when we did 30 takes, I think, which was, at that time, also on a mechanical level, quite complicated. That is to say that there was a question of rhythm, but each time, for example, the camera left my face, falls on my hands, keeps my hands for a while and takes my face back afterwards. Which was also a mechanical question, which made it last much longer. In general, even at the end of life... Everyone with me it went relatively quickly how much normally on average finally if we make an average it's six it's five times what maximum if we make an average by the way even cloquet was very surprised by the cloquet I think but maybe because it went fast enough and like him horror finally had horror of things that He doesn't want to adapt to Bresson, because Bressons started a take 30 times and it crucified him, and I understand that a little bit. As with me, we rarely started again more than 10 times.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=3953.67,4021.439"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/153","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Has he already announced that he's going to have dubbing? Interesting stuff.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=4024.049,4028.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/154","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes. There is one thing, in all these texts for example, I learned it by recoupling, he finds that it has a voice that is much too vulgar, so he wants to erase that too. He wants to delete your voice? Yes, delete my voice too. So he's going to see that you're coming to do pre-synchronization? Yes, I have six days, well six and a half days to three days of pre-sychronization. He thinks it's too vulgar. Yes, in some scenes, he thinks it is too vulguary. For example, in the gendarmerie, the replicas of the gendarmes, he thinks they are too vulgare. I don't know why, I haven't seen the rushes. He thinks they're too vulgaire. He wants it to be... He wants the...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=4030.54,4072.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/155","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That's what could become more monochrome. It's going to be interesting to see how he works, as he has the horror of pro-synchonization. I'll send you back for that. Yes. Well, thank you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268#t=4076.259,4095.74"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262268/transcript/79530/annotation/156","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/530/original/trint_Coll458_jb0014_LaFarge_01_p1_transcript.vtt?1747070516","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/530/original/trint_Coll458_jb0014_LaFarge_01_p1_transcript.vtt?1747070516"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265","type":"Canvas","label":{"en":["Media File 5 of 6 - Coll458_jb0014_LaFarge_01_p2.mp3"]},"duration":201.22122,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/content/5/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/265/original/Coll458_jb0014_LaFarge_01_p2.mp3?1739214271","type":"Audio","format":"audio/mpeg","duration":201.22122,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0014_LaFarge_01_p2.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That's it, it's going to be more like you. So now you go. Now you go, you're going to find... Now you're finding your... No, this speed accuses the graph. This speed here makes a balance between the graphs. I put it on a fast speed. Let's talk a little.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=4.17,20.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e No, but now we have to go through what we have already gone through. Why?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=22.19,28.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I want to give you a more correct example of your voice.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=32.04,38.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e If the speed is low, your voice is a little distorted on the bass, that's what always happens. And if the speed's fast, your vocal is distorted. And you won't hear at all as you hear.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=38.47,48.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e This time it's going to be a bit... And if you speak right now...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=50.019,53.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e On s'entend jamais parler.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=53.81,54.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I can't eat, and they aren't due to food.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=54.59,55.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e 1, 2, 3","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=56.46,57.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Six, seven, eight, nine, ten.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=58.0,59.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e We're in a higher country than we are in France.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=60.55,62.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Oh, it's okay, but you know, sometimes you need a little bit of a drink. One, two, three.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=62.57,68.03"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. No, I need to write a text from Bresson. It's okay because it's going to be on the screen.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=67.28,75.04"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I think that Bresson is right in the sense that the more we reduce things, we reduce a kind of presence, but without defining them, the more it acts internally on the spectator.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=75.26,89.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yes, it's not entirely wrong, but there are times when you can't change the way you are, for example.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=90.78,95.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm not talking about changing the voice, but I'm talking about canceling particular accents that give a particular meaning to a thing, to accuse, through the monotone, or this way of holding it, accuse a kind of stimulus, almost to the imagination of the spectator, so that he adds to it. He plays for the interpreter, in a way. When I make the narrations, the comments for the film, I do it for myself, and I do almost all of it at the same time. I think it's much more bearable than the narrating and the comments that come.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=95.51,135.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Souven, d'ailleurs, les narrateurs font ça d'une manière monocorne.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=135.47,140.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't agree with that, but I don' t agree for a film. Because for a movie, from the moment you leave the choice to the spectator, in my opinion, you lose the interest of the film.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=140.36,151.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It depends on the statistic. No, because... We know that in Bresson, who always works on the interior, on an interior effect, so it's an option.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=151.84,161.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But Vossan once told me, the first time he saw rocks of me, he told me one thing, he told that it's great because you have very few dialogs, and in the end I think that in the speaking cinema, we should eliminate as much as possible the dialogs, that is to say that people should say very few things. Which is not stupid in a sense. It's a concept. The flaws of psychological cinema, for example, the flaws of cinema, I don't know. The last film, Sand Peeper, with Burton and Taylor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265#t=161.98,196.83"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262265/transcript/79502/annotation/20","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/502/original/trint_Coll458_jb0014_LaFarge_01_p2_transcript.vtt?1747070073","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/502/original/trint_Coll458_jb0014_LaFarge_01_p2_transcript.vtt?1747070073"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264","type":"Canvas","label":{"en":["Media File 6 of 6 - Coll458_jb0014_LaFarge_01_p3.mp3"]},"duration":121.54776,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/content/6/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/264/original/Coll458_jb0014_LaFarge_01_p3.mp3?1739214268","type":"Audio","format":"audio/mpeg","duration":121.54776,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0014_LaFarge_01_p3.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is that they are both talking continuously. If we cut off their sound, it wouldn't exist. At Bresson, we could almost cut off the sound, but the characters would still exist.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=5.109,16.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But still, Bresson, a lot of people play Bressons, but on this guitar...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=18.009,22.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yes, but like in the westerns, for example, the sound in the Westerns, I find that if we could cut the sound from the Western, we would still have the story. How can we cut the real sound and still have a story? Because everything is in the gesture. It's like in a gestural cinema.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=22.68,39.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Is it because we have already said that cinema is the name that invented silence?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=41.0,47.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, I don't think so. I don' remember. I think he said it twice. Well, he said something similar. Something similar, because I'm telling you that in the end he found this role very well because he considered that since there was little dialog it was still an important role. Maybe not, by the way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=49.05,66.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e A man who maybe doesn't like it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=67.06,68.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't think he liked Gérard's role. He liked it later on, but he didn't like it at the beginning. At the beginning, it was a role... I don' know. It had to be a kind of experience. It's very surprising because it's a very long role.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=68.16,83.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Thank you very much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=86.48,86.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That he had written it himself, and he didn't put any dialog in it. Well, or almost none, because I showed you the dialogs. It was a kind of experience, you see. I have the impression that he wanted to know what it could give, that is to say, a character who would seem, for a very large part of the film, but who would almost never say anything. Well, that we would see, that one would understand, by his gestures, by his way of being. His looks and his gestures, yes. Well, I don't know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264#t=86.95,115.65"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141760/file/262264/transcript/79495/annotation/10","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/495/original/trint_Coll458_jb0014_LaFarge_01_p3_transcript.vtt?1747070073","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/495/original/trint_Coll458_jb0014_LaFarge_01_p3_transcript.vtt?1747070073"}]}]}]}