{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://uoregon.aviaryplatform.com/iiif/9c6rx9523x/manifest","type":"Manifest","label":{"en":["Interview with Albert and David Maysles Part I, pages 1-6 [1/4-in. magnetic audiotape], May 1964"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/029/original/uo-logo-hires.png?1580744881","metadata":[{"label":{"en":["Description"]},"value":{"en":["1 sound tape reel : 1.875 ips; 3 in. (Physdesc)"]}},{"label":{"en":["Format"]},"value":{"en":["1 sound tape reel(s) (analog)"]}},{"label":{"en":["Identifier"]},"value":{"en":["Coll 458 (Collection Call Number)","JB0036 (Digital Object ID)"]}},{"label":{"en":["Date"]},"value":{"en":["May 1964 (Creation)"]}},{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://scua.uoregon.edu/repositories/2/archival_objects/345409"]}},{"label":{"en":["Agent"]},"value":{"en":["Maysles, Albert","Maysles, David"]}}],"summary":{"en":["1 sound tape reel : 1.875 ips; 3 in."]},"provider":[{"id":"https://uoregon.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["University of Oregon Libraries"]},"homepage":[{"id":"https://uoregon.aviaryplatform.com/","type":"Text","label":{"en":["University of Oregon Libraries"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/029/original/uo-logo-hires.png?1580744881","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324","type":"Canvas","label":{"en":["Media File 1 of 3 - Coll458_jb0036_Maysles_01.mp3"]},"duration":1113.31265,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/324/original/Coll458_jb0036_Maysles_01.mp3?1739224983","type":"Audio","format":"audio/mpeg","duration":1113.31265,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0036_Maysles_01.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Well, like, if you got to go to this thing, I think it might be.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=9.78,13.05"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e A good time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=13.17,13.32"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Oh, well. That's it. Well, maybe you just got to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=13.74,21.24"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Know the guy. Yeah, I know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=21.36,22.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So we've been talking about the falsity of the. Yes. Or rather, the still the discrepancy between absolute reality of behavior of the people and the behavior of the actor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=23.34,36.69"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And the child and the rest. No, no, for a moment, the people of the partnership. I don't know any truth. Films. You've seen the scene with Jerry? I spoke to him. Crisis. Crisis. Did you see Jane Fonda? You got to see that. I mean, that's the best example of what I'm what I'm about to say.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=38.22,62.69"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And I probably can say it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=63.42,65.239"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I'll be. I'll go and see no one ever.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=65.33,67.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Worrying about that gentleman. When you see it, you have your own judgment in this regard. But my feeling is that it proves to me forever that something I couldn't believe before, that somehow it is possible to film a subject which is war movie.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=71.3,96.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e And come out on the screen with some freezing cold. You know that girl, Jane Fonda? It's true that she's not the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=97.61,108.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Warmest person in many ways. And the guy that's that's involved with her in the in the thing is pretty goddamn cold, too. But when I saw that film, She just happened to be that cold. And then one night, I'd seen the film. I met the two of them in a bar, and I looked at them, and then the two seconds that I had to do it, when I was suddenly aware who they were shooting, I saw 50 million times more warmth in those two people than I saw in one single frame. In any frame altogether. All the frames all added up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=108.62,143.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That little film, she comes out on screen in Hollywood. So I told you no. Yeah. Now, maybe she was aware of being filmed.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=143.83,151.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Maybe you seem to see a guy like Patty in the song.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=151.75,156.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Everybody's awkward. Yeah, because it is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=159.36,161.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yeah. Like, other than everybody's called. You can get married on the hottest day.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=165.31,170.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Everybody has a little bit of a place to go.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=171.49,173.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But it's always cool I've never met the guy. I don't have anything for him again. And even though I don't know him at all. You know, Andre, I know he's a very warm guy.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=174.87,184.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I'm Robert Frank as a as a little right to everything, right? Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=186.94,191.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So she's in the boys, and he is doing this, and it's got a million times when you see it. But now what? I'm. The reason I bring this up is that the Fonda film is a show called verité Film. And and. So even though and that's solidarité one is dependent almost 100% on what, what is before the cameras. What's happening by itself. The other hundred percent of it is, is who's filming it. And it can come out hot or cold or running all kinds of ways.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=195.54,233.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But interview. I mean, I understand there's quite a bit of an interview technique.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=235.33,238.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You know, I wasn't like that if there was any.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=238.99,242.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I don't think there was much. You know, I think I mean, I haven't seen the before. But this is, this is and that's an interesting observation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=243.1,254.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And so that. I think that to me the art comes in where it comes in and on these photographs is that there and this and this and those people who are getting, putting the art into the verité films, it's because of something in them and holds them back.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=255.13,275.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e From being like. That's why that's why I feel that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=276.01,281.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Verité film is and then enough good people working.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=282.91,286.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e At it to prove one way or the other, just how I feel a little bit. What you feel about many different personalities is I.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=287.2,297.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Would like a still camera, I mean, but I would like to. I wrote that letter destroyer because I'd like to do one of those verité things with all the other sketches and warships doing ones that it's not very J. I mean, something about it being one for this guy. Yeah, yeah, something about a train station in Paris and somebody committing suicide is not trying to commit suicide. I mean, it's a drama, but you're going to do it in his mind. Yeah, but. So I like to I like to quote David, and I would like to, to do one in Paris verité thing and put it right smack up against that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=297.9,336.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Is the point. You have to let you do it here. Well, no, because the whole thing, the thing that is quite as far as the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=336.81,342.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e A story has to take place in Paris, we're going to be we're going to be in Europe in July. So so we have to do it. There is a budget for it. If he needs any more sketches.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=343.2,355.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e No. I am not.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=356.24,362.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Being for draftsmen consultants. Rather, I haven't seen any of your work other than that's one of ours. That's Ricky's. Oh, is this a new one.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=364.97,372.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That you made to go with them or something? I haven't contact with anything. Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=372.8,379.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I mean, I don't. You know, look at the old Penny and Ricky. I don't. I guess they took an equal share in shooting that. Oh, I think Penny did most of the show, and Fonda and I don't.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=382.58,394.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Ricky did the most of the shooting in the church. He did all of the lawyer stuff.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=395.3,400.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Just like within the shooting.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=401.33,403.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e It's not up to me. Not really. And what would you judge right away when you say it isn't up to the stuff on more inside the office was very fascinating. I mean, the way he revealed himself, you know. Why would you say that?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=403.88,417.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And what was your basis and things then in that, that I would never expect. Like what? Because this might. I shot something once on a train in Africa. Facade.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=418.36,427.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I'll show it to you anyway. And in the thing, there's a woman that was breastfeeding a child.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=429.43,434.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That started with a long shot. And I began to zoom in to her and in her direction. And I didn't get very far in zooming in when I stopped. That's as far as I went to see if she was still way the hell I don't see her. But now the world. Ricki saw.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=436.7,457.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That. It was great. You know, admiration. And the lady said, that's the way to shoot it. Because me moving.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=457.51,465.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In any closet would have been where I wrapped rapid break. But in that scene of the lion. That's exactly the way it was shot. The camera bore right in on me. I see what you're told. And then. And then, to make it even worse. The camera began to doodle around the room under the books, as though the cameraman was. Was that embarrassed to to to actually see the thing? Whereas it would have been better, probably to have shot it at, at a at a considerate distance, maybe fairly quickly, but then to then be bold enough to hold on to it. Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=466.21,506.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Is there one particular point you're talking about? Where do you think we went in, where you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=506.61,511.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Were right in an environment, was crying when it was cry. Right. And and then apparently the same moment, camera again, moving around, doodling around this thing because it didn't want to. So he didn't get the moment right. I thought it was a double double mistake. One to be shot at. I mean, that close and then and then to be there and not to continue to see the man at a minute takes. I see what you mean. Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=512.28,537.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And the judgment of what relationship? To give you a camera to do something.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=538.19,541.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e When I was in the living thing, when that guy lost his job.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=543.83,547.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Right. Straight on that guy's face. He didn't come. We didn't do it or we didn't die.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=549.74,555.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e We didn't mean to burst in on this. On his eyes. We did. It just took a nice stride on this. And this is this is just a straight. I mean, you got to. You got the feeling this is it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=555.82,568.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e We're not going to pull away on the reason. I'm just going to just let it be just that way. Yeah. This is this very interesting point, because it was part of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=568.88,583.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e My criticism of a lot of this, And a lot of the work that I have seen, although I haven't seen a great deal, has been that it does doodle a lot. There's been a lot of doodling, a lot of getting in and then finding out you're.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=583.34,594.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Too close and then coming back out only to go back in or move over to something else. There's, I don't know, making the move because it means something right here. So in a sense, this is where you're where your field of art is.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=594.72,611.34"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Rather than to our advantage. Yes. This may sound like a peculiar selling point. It isn't that it may have begun that way out of that motivation to begin with, but it isn't that way at all. Is that we shoot everything with one camera when they go down with them. Interesting. We're shot with one camera. I was going to ask you that. Another person, Ireland. Godard, might well have said, well, look, okay, we want it. We're not going to do any editing. If I shoot this thing, essentially, it's one continuous kind of run. It seems we need at least two cameras so we can get to them. Yeah. We didn't do it that way again. We changed the kind of truth. Because it was one camera, just continuous and one camera, and achieved the truth and the and the emotional involvement to that, that you as a viewer become more than one here, you know, 2 or 3 cameras that are, that are impossibly in two situations at the same time. That's the other part of why this was more truthful this way. When you get when you go to a reaction shot as a person, you could have jumped across the room.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=612.48,681.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, it's that you're a part of it immediately.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=681.98,683.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's another premise on another premise. And also you notice that in this shooting that we're doing, these are explanations out of the fact that I see now more why doing it than I did at the time when I was shooting. But you very rarely. You very rarely, very rarely see any shooting. In from positions that are not natural to any human of the situation, the the shots are either from a seated position in a chair or from a standing position, and not crazy angles. And. With, with with things like that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=683.87,723.64"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So of course that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=723.79,724.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That and quite often quite often the normal, normal directing to, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=724.87,730.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e About that attitude of, let's be honest to the eye level, you know. A good that's what good I was doing was he was I reached to a certain extent the just the boat on the right approach.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=730.88,740.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And I you a even in the beginning of free will which you see.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=742.06,745.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yeah. Well this is good know. No I agree with this and cockiness can can be a great, you know, as easy as possible.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=746.74,753.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e As a part of the personality is. And I know whether you like it or not, that's not the crime. But I think we're.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=754.57,762.18"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Really that's really.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=762.93,763.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Into the heart of the thing is you. And.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=763.86,768.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I haven't tried.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=773.14,773.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e But you, you you ensure you don't use any cutaway, do you? You wonder what happens when you have to pick up the sound. Yeah, you. What do you do? Just do a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=774.06,783.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Jump cut in the shot signal that way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=784.11,786.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But it requires a hell of a lot of research and and ingenuity on the part of the editor.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=788.28,792.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because I noticed, you see, I make.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=794.43,795.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The small things without resorting to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=795.99,797.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I know it's in in Roseburg. You want that line. And this is a very classical they occupied actually made up of the very thick shooting that we have shrunk into showing that. And, and so, you know, the whole bit I mean, it works, but it's a different translation, you see. And you get cutaways. Why you feel that there's funny things going on with the with the with the soundtrack, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=798.45,828.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Do you see some shooting in the Beatles game? Yeah. You see where the camera rolls through a room where the Beatles disc jockey guy. Yeah, the Beatles are there, and the camera's moving from one guy to another. Who are some of the best you ever.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=829.61,845.6"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Without whom I won't be able to get to constantly. So maybe something. This week.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=845.93,850.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Our joker wrote.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=851.42,851.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Me that saint cloud computing. Our generation?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=852.2,856.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yeah.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=859.19,859.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I guess to which. We like it very much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=860.51,866.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Any other time, Trent, that can.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=871.13,872.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Go on and What the.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=875.84,878.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e But I could tell you, though, that camera would wear rolling from one person to another, and if you'd broken it up or shot it as individual things, you see if it could have been shot, where you get one guy and you sort of wait him out as just a moment, that's a minute. And then. Now I want to get this other guy dropped the camera. I'm going to wait for just the right time for him and you, and you get him and you end up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=879.73,905.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You know, over a period of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=905.75,906.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Five minutes, you've got the best three separate shots of these three guys. And so. You end up with something I don't know. Well. But if you were able to shoot them continuously from one to the other, the, the interrelation.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=906.64,923.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e It's not added to me. You look at that, that moment. And.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=925.54,929.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's much more convincing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=931.96,932.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To the viewer. It's much more honest. Douche bag. Do you believe that camera movement and the influences, the rhythm of the show? Oh, yeah. So how would you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=933.7,953.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e If you felt a subject was of a solemn, an introspective mood? And yet you had several people working. How would you contrive shooting at the. To shoot it, to maintain the mood, maintain your principles of keeping the thing in continuity and keep the camera from from creating an agitated mood? I actually have. Because they often the agitation in Joe Levine's show works because it kind of corresponds with a helter skelter.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=954.68,990.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Well, he loves it, right? Oh, but if you got to do it, you see, you know, as he's got a different kind of world.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=990.71,994.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Where we're we're talking about these are some concepts here. I mean, you've got a there's somewhere you've got to contrive to make those movements almost like in V with a V, where they are almost steady, steady and solemn, like it was like you were talking about the movement in on the child, the nursing mother nursing a child.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=995.24,1013.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I mean, because it's handheld, it might be a little bit.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1014.1,1015.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, you've got.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1016.14,1016.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I will say when you say, I mean.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1017.34,1018.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e What I'm thinking of, you know, quick movements like this, you know, getting in quick to get a thing or something like that. And because you can't, you can't act as quickly. Right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1018.9,1029.64"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Well, the instrument.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1030.45,1030.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e That we have right there is such that we have. Yes.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1031.92,1035.339"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And we can shoot.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1035.97,1037.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e It any way we want. And. You know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1037.589,1042.42"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e For instance, I think the idea of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1042.93,1044.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Them with some kind of steadiness and they must have a less holding lock on doing that. Okay. We could do it as well. It's good though. All right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1044.31,1052.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I can believe that that I can accept because I've seen even in children. So that we. Rocksteady stopped the the guy getting fired. I even shot in a little. I thought it was, I thought I thought it was fake. I didn't realize you'd done it until the end. I said there was some other. Some kind of single. That's me. It's not a good film. But I didn't do it. I know, but you shot it. And then you do with the handheld, and, you know, you didn't know how it looked like it was a tripod.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1052.83,1084.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Do you know it would be interesting to you? Right. Well, let me tell you a little bit about that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1085.26,1090.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Film making it. Very well. I'd like you to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1090.92,1093.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e All right. What are you out just about?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1093.77,1095.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You got a phone? I can, I can, I can reimburse you. Do we have one.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1096.3,1100.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Of those tapes David used to do? We sell all those little tapes? Those individualized tapes?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324#t=1100.67,1106.82"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262324/transcript/76668/annotation/102","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/668/original/trint_Coll458_jb0036_Maysles_01_transcript.vtt?1740614369","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/668/original/trint_Coll458_jb0036_Maysles_01_transcript.vtt?1740614369"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325","type":"Canvas","label":{"en":["Media File 2 of 3 - Coll458_jb0036_Maysles_02_p1.mp3"]},"duration":1329.08408,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/325/original/Coll458_jb0036_Maysles_02_p1.mp3?1739224986","type":"Audio","format":"audio/mpeg","duration":1329.08408,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0036_Maysles_02_p1.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Oh I've got my little seminar room in here. Go ahead. Uh, what I was going to, what, what was I going to do? Is it?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=17.04,40.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Ideally, you should not even know what the show's about.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=41.8,44.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Other than the general basic background. No, no, no. But when I went to Cuba, and I shot the Cuba part of Yankee No. Yeah? For the market. No, I don't know about it. It's another life, you know. It's a counterpoint. I didn't really, I didn' know any more about Castro in Cuba than any other person who knows a little bit about those things in this country. And I felt before I went that if I had done a lot of research on it the week before, the way a lot people would, they'd know a week before that they're going to Cuba so they'd write every book that they can and they'd start reading up on it. I don't think that would have done any better if I'd done that, if I prepared myself in any way for it. And as a matter of fact, when I got off the plane, on arriving, I went to, uh... Big mass meeting where Castro was talking to mothers. The first shot that I made was the close-up shot of Castro. You've seen the film? No, I haven't.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=47.01,112.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I hope to see a hell of a lot of people get caught up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=114.27,116.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It was a close-up shot of Castro that I shot. I could spend five years tracking him around the world, and I never would have gotten a shot like that later on. There are three or four things that are revealed in that one shot that, had I known them any better, in fact, this is pushing it too far, what I'm saying, but there is a certain element of truth to this, too, that the better you know somebody, you're at a disadvantage.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=117.45,144.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You miss out on","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=145.83,146.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You're not that curious to put down things which are already obvious to you. The essential thing about the person, you let go by in photographing him because unconsciously, everybody knows that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=146.51,162.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e You get used to something and you go, yeah. What about, what were you saying about Godard's film then? You did rehearse with him, I would say, or at least...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=163.48,174.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yeah, we ran it through sort of dry once in each instance in the...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=173.98,180.92"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In the...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=180.66,180.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Sculptor studio in the garage. I feel that especially on the second one, on the garage, that if I had actually been shooting the first time that wouldn't be better. It would be better as far as my camera work is concerned and it wouldn't been better as the actors performance is concerned.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=182.56,201.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Because you were seeing things there that were happening. The act is in the same...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=201.05,205.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e The actors, in the same kind of way, the actors were performing best on their first run-through. That so frequently must happen. As little as I know of the acted films, it must happen all the time in a way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=203.85,215.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That's been my little experience, even with non-actors. Yeah, especially with non actors, I'd say. Well, yeah. Of course, they say that Michelle Morgana only does three takes because she's no good after that, you know? But even with actors, it's the same thing. But were these actors, these people, that had a good hour with you? No.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=215.63,237.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e One of them, there were three, one of them was a professional actor, comedian actually, rather than more than an actor, he was a piano player in a small apartment, the other two were, those two were non-actors.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=237.78,253.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They were non-actors. Did he have them improvise as they went along, or just, how did he rehearse them for you?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=254.0,259.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't know how much I know that the actor he hadn't even met him until three o'clock in the morning the day before we shot him we shot half the film that uh that very same day my god you know it's not a full uh","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=263.35,280.45"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That's a sketch, but did he rehearse it well beforehand so that all the moves were planned?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=280.85,288.19"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Fairly well, I'd say. Fairly, well. Actually, the first run through was a good one.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=289.54,295.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Did they come with lines learned, or did they just give them a story?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=299.62,304.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Yeah, they had their scripts and they had them prepared.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=302.95,306.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e And you were thrown in with this for one rehearsal, and then you filmed it immediately after, or did you rehearse more after that?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=310.67,317.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Do you have your mic, Murr? No, I don't hear a single sound thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=320.1,322.58"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Right in there, right in there.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=323.31,324.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Here we go.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=324.66,325.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yeah, I know that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=326.21,326.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e That's pretty cunning, you know. It's wild.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=329.65,332.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e A couple of things I was, one thing I was very curious about was, uh...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=338.69,342.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What's up whether he had","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=341.48,344.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e whether he had caught the significance of what we were doing, as I felt I had.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=343.96,349.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e What do you mean? With a good eye, you got the signal against your style of working?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=350.9,354.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I mean your style of working. Yeah, what we've done is what we have done had never been done before I don't think Continuous shot like that I got a letter from somebody who saw the rushes. I've seen them, too One of the one of the shots lasted 11 minutes And he said he hopes that it that's used its full entirety For 11 minutes long it won't be but let's say that there's a five minute There's certainly at least a five-minute run that will be shown as a continuous five-minutes run. I know what that meant, which I'm explaining what my feeling was, and so without thinking too much more about it, without saying, expressing my own view, I went over to Kadaa at one point and I said, in a word, what does this all mean to you, what we're doing, so what do you think that's so different about it? And he said to use the word truth and that is exactly the word and what it means what it means to me is this that this kind of filming that we did that was truthful in the same sense that the Eisenstein kind of technique in filming is untruthful because What we did when we shot in a continuous, in one continuous shot that way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=353.39,445.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Thank you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=446.04,446.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It was impossible for the cameraman to think that fast. To contrive. He couldn't. He had to move so fast to think of what, you know, and catch up with the thing that is going on. That's the thing, that's what happened. The camera is actually a real observer in the room. What takes precedence is not what's in the cameraman's mind, but although it takes an performance of the thing it's he is he gears himself to observing what's going on catching catching from it rather than so even in Viva Savi I found that that wasn't always happening the framing for example took precedence over over the content","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=447.61,497.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e This is different from Viva Salvia. Viva salvia was a very restrained, almost Bessonian approach to my mind. I liked that very much, but I was taking a step back, almost as if he was sitting down, just kind of looking, moving very steadily with things, but never interoccurring or trying to catch up with life going on. And also in the framing where the girl was way down the lower part.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=498.4,523.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And also in the framing where the girl was way down the lower part of the corner, that seemed to me to be very self-conscious. There's none of that kind of thing, you see, in the thing that I shot. But what happens is this, when you're shooting that way, you'll see little details, even as you're shooting, some little thing is happening. And you say, Jesus, boy, that's the thing to get. But you don't get it. Well, you do get it, and you work it in somehow, rather, with what you're shooting. So what happens when it becomes like this? If you see something that's better, that you know, well, the only way I can really get that the best is to stop.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=521.11,558.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Is to stop and to move it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=557.99,560.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And move it another angle and I'll shoot it and then go back to the rest of it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=559.34,563.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e That's magical in the sense that...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=564.2,565.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You take you have a discipline where you say well no I'm not going to do it's more important more important to keep the camera running now that's this this is a paradox this is it","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=566.05,577.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e 24 hours.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=577.7,578.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e What you sacrifice for some kind of, what I would call a sort of a selfish beauty. Well, but like you said, you're selfish, this was the it of the shot. Yeah, but you missed that. You missed that, but what you gained...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=579.06,593.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The truth.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=595.72,596.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Because that little thing that you missed, you know, is much more than compensated for by not stopping, by continuing the flow of the thing, and you gain, you see...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=598.99,615.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I'm hoping to make the break of the editing. The audience's confidence that this is really going on. That there hasn't been intervention.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=616.85,622.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Same thing like some of the long, continuous shots in Showman, that long one when he's talking to those guys. If I was cutting back in the back, the beam and cutting through the guys, as a matter of fact you never saw a front view of the guys while you were singing the beam. And the ordinary, the usual way to do it would be to say, okay, we've got the beam now, but now we've gotta get the reaction shot of those guys head on, we don't see their faces, we gotta turn around. Well, what we gained by keeping that camera running on the beam and then finally, at the end of the shot, finally walking around and seeing the guy's faces as we did was much more important than cutting back and forth.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=624.31,666.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Well, actually, this is a kind of a choice in walking around and revealing a place as Amherst. You brought an effect that wouldn't have been the same kind of effect you'd gotten if you'd already cut back to it. Not only did you accomplish certain veracity or authenticity, but you also created a surprised element. Revealing them after his lecture, I remember that. Because you wanted to see them all the way through, you know, and you pulled off and then you pay you you accord them the pleasure to see Well, I think that's that involved too. Yeah, this is this is kind of mise-en-scène That's what I was gonna ask you I understand that Good I was feeling was that he was going to try his main criticism of Seema Verite had been that they lacked in a mise-ence-scene Now, with you, how did you attempt to introduce mise-en-scene into your film? Since, is it by the choice of letting you have complete liberty and then directing the actors, or what? Mise-en scene is the complete control of everything. That would be an interesting question to ask.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=666.41,738.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I think from his point of view, he had all the control that he wanted. On the actors? Sure. The whole content of the script, the locations, the actors' movements.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=740.57,751.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But in one part, you, choosing what seemed to be to you at that moment, ranking within Central Park, you were also doing it in these onsens.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=753.63,762.53"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well, another interesting thing is this, my French is not very good, I truly did not really know exactly what people were saying from moment to moment. Had you read the script before? Yeah, in French. I never had a translation of it. I really, and things as I say, when you're shooting in that kind of country, you either know the language very well or you're missing it all.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=763.03,786.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So you're missing it all.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=785.78,786.68"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And I felt, nevertheless, I felt sure, even so, I felt that I was shooting the right thing at the right time. I think it's really clever. And Godard feels that way.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=790.369,800.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Yeah, because I think that what's interesting here is that, finally, you're not being good at the language, although you talk and talk and normally other things are happening and so you're interested, not just part of the guy who's talking, but what is visually interesting at the time, emotionally.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=800.97,821.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well, I'm filming them. I mean, you're seeing Nellix move all the time, too. And I felt sure that I was filming the right thing at the right time. As though... And exactly what they were saying didn't make that much difference, apparently. What kind of a feeling were you getting out of it? Because I was after, also, as I was shooting, I was aware. I was basically aware of who she was all about, the girl and the guy. I was also aware of this relationship. And the movements between the two people, the kind of a rhythm that was involved for two people. I was very much attuned to that and I was filming that very much and moving with them and against them.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=821.32,862.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e They go down, keep the people in movement most of the time in the sky.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=863.32,866.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e That movement's been stopping, but it's starting again.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=867.9,870.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=873.09,873.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I knew that he knew I was doing it right, and I knew I would do it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=875.03,880.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I didn't know how to do it. I just, it's one of the peculiar things that were, I didn' know the language.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=879.0,885.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I've never worked with actors before. And it just worked out just right. In fact, even before he signed me to the rushes, he was talking to me about doing a feature with him. And then when he saw the rush, he said, well, absolutely.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=888.28,906.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Did you notice anything in the rushes that made it look different from the reality-shooting that you generally do?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=912.68,923.2"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Good night.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=924.47,924.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e With regard to the people? Well, actually, in the reality shooting that I usually do, there is less of that kind of continuity that I'm so proud of in this film, because I'm afforded that luxury in reality, period. I'm not hanging on every word, every moment. And his thing, I had to get every single moment, or I had shoot it all over again. Because it's all scripted, everything these people are saying in every pause, you've got to get it. In reality shooting, you get something, you know, you stop, you kind of anticipate something's going to happen, but you've plenty of time to move into another position, to shift the lens, and this, that, and the other, and you do it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=925.99,970.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e So now what about in the behavior characteristics of the people involved, do they look not only realistic but authentic to you, these people that you see on the screen? Do they look as real as say Jodah Vane or anything? That's why I prefer it. It still has a smacking of flame, huh? Oh yeah, that's why. Have a good one. Well, this is very interesting, because this should somehow boil down to a certain point what really is, what makes that something different about the behavior of a human being and the behavior an actor is a human, you know, because here you've used the same technique to approach both of them, and they've been given complete freedom, and as George that he was after truth. And your camera by being totally independent of the people and trying to get into them was giving conveying authenticity but yet those people didn't seem like real human beings to you not as much as uh what would that be could you could you pinpoint something in their behavior what's the difference yeah i was thinking i was just thinking there may be some","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=971.31,1051.08"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I'm going to read you something that Bacon said. Bacon did? The contemplation of things as they are, without error or confusion, without a substitution or imposture, is in itself a nobler thing than a whole harvest of invention.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1054.97,1069.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Hey, wow.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1072.13,1072.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e And I just don't think, I just think that anybody, Goddard, Shakespeare, anybody else...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1082.83,1087.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Use that as","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1088.45,1088.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I don't think they could die, Shakespeare, or anybody else, as much as they may try to match, to put a mirror to nature, can do it. I don' think they can do that. But still again, it comes back again to a preference. My preference is to get the art from, to create something artful. From coming as close as I can to what I see and using what I see around me and using it as it really happens.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1092.129,1129.8"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e But I mean, obviously you can take, two people can take the same event, let's say one who has an artistic temperament in the sense who wants to render clear, to feel or to make felt the poetic aspects of something, and one who's just filming, you know, like a vacuum sweeper, there's going to be a great difference between these two people's of the same event. And so there is a, what I want to, that's one of the things I think I'd like to get my hands on here, something that Markerow was trying to do too, and when he was trying to talk about how can we make this into feature, you know, like get more art in it. Because I think Markerrow was right in saying that there was an impasse in this kind of work, as it has been so far, you now, a kind of... Let's get it all on film type of feeling that you can even see in all some of the earlier things, primary and things like that, you know.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1130.44,1196.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Thank you very much.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1196.89,1197.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Which are nevertheless astonishing, but you get a feeling, well, it hasn't got a context yet, there's no revelation, really, other than the little revealing moments of the people. What you were trying here with Godard seems to be an attempt to...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1197.48,1217.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e We'll see you at group therapy session.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1218.91,1219.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I'm going to, I'm just going to get involved with Moreno's psychodrama.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1220.48,1224.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I said drama, but if you've ever seen a group therapy thing, where we meet, you see somebody, I don't know where you go, you go to a group thing and you see.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1227.05,1239.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Thank you for taking the time.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1240.28,1241.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Have you guys met? I don't think so. You're a director, a photographer, a writer, whatever it is. The truth of your personality will always out. And I find that Shirley just doesn't take the mask off enough. She would really just strip herself there and put that into a film. She's too artful, too tricky.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1242.28,1271.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e There's an awful lot to this thing. Go to Aris, go on.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1272.02,1275.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Even in a V or a V, which I found to be very bad in many ways. I'm still trying to be quite honest with you guys.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1277.46,1285.8"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I liked Beaver Study, really. There was a coldness of approach that I liked, you know. I felt that, and at the end, the kind of clunk that's like a banana peel that you throw on the ground, you know. I think that's a fantastic piece of work. And yet, it's not a movie film. It's a film that gives you a kind of a distance, you now, on all of this. And then your reaction, your emotional reaction, it seems to come from the fact that you're almost in horror of the kind of distance you're taking on this girl who is obviously, uh... Who is it? Hang on a second.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325#t=1286.46,1322.85"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262325/transcript/79354/annotation/81","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/354/original/trint_Coll458_jb0036_Maysles_02_p1_transcript.vtt?1746655893","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/354/original/trint_Coll458_jb0036_Maysles_02_p1_transcript.vtt?1746655893"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320","type":"Canvas","label":{"en":["Media File 3 of 3 - Coll458_jb0036_Maysles_02_p2.mp3"]},"duration":40.69878,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/content/3/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/320/original/Coll458_jb0036_Maysles_02_p2.mp3?1739224957","type":"Audio","format":"audio/mpeg","duration":40.69878,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0036_Maysles_02_p2.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e By the Kips Bay.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320#t=4.27,5.21"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e I don't know why I have to turn each. You must not join.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320#t=15.98,19.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Is that very expensive?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320#t=34.209,35.21"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141785/file/262320/transcript/79349/annotation/4","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/349/original/trint_Coll458_jb0036_Maysles_02_p2_transcript.vtt?1746655712","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/349/original/trint_Coll458_jb0036_Maysles_02_p2_transcript.vtt?1746655712"}]}]}]}