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Come on. That's good.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=10.92,15.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Like I said, this one is. It's good. But sometimes when.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=16.29,19.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e We get to that. Yeah. Equally like I saw a good. I think at that that's exactly where.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=19.86,30.72"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e All the all of us. No not this, but here it is. Unknown key. Phil interview. Oh.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=31.98,36.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Busted up glass.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=37.2,38.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Fastball away I go. All right.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=39.84,41.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Let me get that in this room. I don't.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=43.26,45.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Think. It's a beautiful question. Just a simple.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=46.23,51.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Very common elimination deduction. Land survey. One answer and it gets a national call.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=52.68,58.35"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e On that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=60.31,60.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e See the region? Another wreck. They never hit up when I told them that. Good. Already done on the double for sake of is the last meal of it. Hide the talent and then give a shit if you get the talent. Museum at the Island mystique, for example, back in Buffalo. I mean about it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=61.06,87.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It's like I said, because suddenly you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=89.27,91.73"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The transmission in the vaccine. Has anybody seen error codes? For the on a line in a office. And if anybody asks why she invited him and indeed she knows it by digital. But he did a sweet celebration. Humanist Leadership Academy who had a very official submission here that he says until you have a basic schedule, his play to me, the name a kid to keep up with more situations, that automated technology. I don't know what will happen. It was up to complete monster denial, earthquake or remote about communication. Was holding a Swiss committee you know on national machine. Sit down machine put on a pursuit. Even simple. This woman who is too. Then if you didn't want to speak. And then when I came home, video television had appeared to be near the municipal yet. But that could will open up a new position. He should have known that they don't shut down, Lukaku says. What if he hit me here? Well yeah. No not yet. Not funny. Jesse earlier in a bad mood The Democratic voters made it clear he never achieved this sort of ballot on a graphic on bestiality.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=94.46,183.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well, it is important that.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=185.52,186.41"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The difficulties should be you continue to consult with a man and you'll see what is crucial. Quite ahead. Mukasey said that you don't get the sense he represented in Rome. The proposal. Epistle to Patiala.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=187.07,206.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e It's official. Let me ask you if I say.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=207.62,210.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You have a congressional display, maybe you don't want to. Did anybody see it? There are few. Double. It's going to take off. They can't do what they call popular, you know, feed him the image. We just stop there, come to pass, and I catch on. You know that the transfer extraordinaire get the memo that veto a reason to pose for that, then demanded as soon as I saw the new upgraded pathway to the class. You want a guitar to flip over and your career to ditch was packed. Let me see. Recorded on a take the the the desirable academy in your stupid Estrada kind of in a bad optimum could probably a most I exclusively did. I don't feel they usually let me a gluten free don't think you get a good healthy body divides the to the palate to ensure that everyone to contribute.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=210.38,271.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e In the to the Bible.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=272.89,273.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e How is it very concept good talk about back on that via the Disney to the extent. Yeah, I think because of what she has shown on it, we just I don't it's hard to imagine that we were paid. That. Yeah. So they can be a part of the politics there. Yeah. You know, in the twice I met the two of you. Yeah. Yeah, I did it. Was she like did well. Well I'm not really believe they, they they don't guys come on set to have to secure their should I say competitor. You don't just get credit or. No I don't really. There's no doubt that they know the truth.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=275.14,321.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Well I definitely don't get it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=321.72,323.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e If you keep it though when I was security they did and it was absolutely a hit with that. When you do it systematically, if you show me just to make it, you know, it just is totally fair. I bet on Twitter make one time this year.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=323.7,337.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e This year, I complained. Give it a bit of a separate video.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=339.84,343.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yes. Yeah. Okay. This is can we keep camarilla? What's happening? What's the did you vote for the last minute? 10%. Keeping the metadata down. Q\u0026A that only we've spent today. Yeah, I mean, that's just diplomacy. She said pathetic was ahead of me on that call. Well, is he really? But especially today, whether they keep it real. I'm going out for a political excursion. Supported evolution. Good for the two particular. And, you know, better able to skip this year if particularly if you can depend on a tree.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=343.98,387.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e In my yard.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=388.22,388.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e And I'm told by the pool, I told you do my best and said that we will meet you at. It's a blackout. The idea is a cliché on that. No kidding. So do. You not been getting more info on here. Let's just hear from people, Kenny. It sucks, but. I bought it, but it isn't to go to the doctor said to you. I'll. I'll turn it in. No. That's good. I'll have a bullet SUV to to you. It'll kill me. There's someone who did it for the naive. The the Quatermain. If I were cool. Traditional. If you were positive at all. Which was close with you. These were those who are evil. Oh, she made it look good. Okay, that was supposedly long and only a few down, but it became an attribute it to me. You don't really know the name of the local. Okay, Danny. There you all go down. No fucking country permitted under Ambassador Parker. Now with him. A little bit weird. Old school. Okay, so he did have a crucial impact on a pussy particle. The desperate man who had it bluntly put it to show. Yet his own taste is good. Just curious. Kisses to my political enemies. Here. You don't see how that is before the threshold, say, at the third party, he had a horse. Shit. And then he has no freedom. The place.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=389.48,490.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Where he grew up with the result will be an early.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=493.02,496.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Special moment. Officially approved. It isn't just about the man. Those who have that, who can never hear about it everyday. But it is only for those who have the data for this. It will involve names of ships to West Virginia. Do. You think the two assemble? Good. Very good. He did. Did you say do that? But he's haggard. And that may lead to the necessary multifaceted visa failure to have sex, you know, so this tool in the public eye meant a lot. The deficit hit the market, from which they have shifted quicker and easier to adapt to a deal. I don't really want to be a market reaction.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=497.37,546.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Is that if you get into this position, it is or is it is different.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=550.63,553.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Not so more said, well, yeah it did. It is said that they don't kill it off. Well we'll see if this is true. They don't care if that were to happen. So this is a mere. The poor nutshell my poor man. See, I wanted to say that I should have proof. Let me let me move on to seal it happen direct. I mean, if people were remote position said keen on say a key could take them all. It's easy to. Or did you notice the key to kill the keys that you have manicured with the sound of a.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=554.41,591.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Perfume, or prolong the sound gear.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=592.29,593.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e With the ivy? I'm about to fall to the concrete. Come on. Well, yeah. I hold the sensibly numb a sad presence to the good of show. The you got to do here to get the key to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=595.2,612.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Go visit the consulate business need. To disagree about the policy issues. We should you should get by the appropriate machine.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=614.19,624.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Made with notes as usual. Yeah. You just said you should pass.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=624.84,628.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Over.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=629.91,629.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e On what I've got him on, because we need to.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=631.95,634.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Play them to the music.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=635.25,636.18"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e For the studio or considered conservative America.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=638.07,640.43"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Oh. Yeah. And.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=647.6,655.1"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e He was actually.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=670.14,674.99"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Quite busy, actually. I get the post about it or hate it. He talked about where things were for me. They seem a little Google positive, you know, because I find profoundly rational situation across the board. They do the critique. I can't what becomes a company anyway? Because they don't want to let the parliament who you defeated. You did any of that. And at that time, anyway.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=676.52,751.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e He gets up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=752.83,753.13"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm totally happy to hear that here at the top. It took us to ensure.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=760.02,763.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e That people that know you were here.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=764.16,765.51"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e 000. 000. Oh oh. Oh. Oh. Oh. Oh oh.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=767.76,806.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He did decide.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=807.99,808.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e To go back to his company. I'm.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=809.76,812.46"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e 00000000000000.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=814.9,814.9"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Oh oh. Is he going to have a lot of things on the outside? Why don't you go.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=831.79,845.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Take a look at this.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=848.08,850.75"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e So he can also take on the idea. Oh yeah. Oh my God. Oh my God.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=850.99,865.84"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Yeah. They let me down. Yeah. And if we show those at a video that he loves it. And that presentation is either concrete. Easy. No, no, Jamie. Do you. Not today. Because girl. So they can be sure that it is tip of the thread and direct to the point. If you you think you should make key reception, people who are conceptual with it will be able to put it assume it's a man. So like Apache, you have a real conversation that he never took off because you can't make mama tell him to party for disability trade. No, I want to hire men definite to you if we do the acoustical in people's yards. I hear a yes and no said it's a lot easier said when.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=866.98,918.09"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You look at the case when it first came.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=918.72,920.55"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e To pass with a new book. Actually, it is served in the LAPD. There is a complete. It is a shutdown a shutdown. And yes, and we go there to gather all the issues in a few months. Someone added please conserve. Please pass your visit in the event that everyone goes if it doesn't move you. First of all, you stated it is a vehicle ready to do something. It was something that I could have more extraordinary you know. Yeah. That are going. Yes. You did you have kids comfortably at 12. Yeah. Gosh you sign up for the day until they get out of here to get to the senior community could quickly go into detail. And then you say the government does on the road. Obviously the high school kids, it or not, this is a 50% chance should I quote set. Well, can you disagree? I can teach right off key. Kahoot menace. Who's the current companies you don't hug, don't actually bodysuit. Well, for compassion, if I see the danger and for that half do that now. See, I'm not good for any portrait. Photography credit today. You just need a little suited up security, you know, different material. Okay, a 32 might not even if a disaster. Ten second.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=922.05,1016.44"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e Companionable. If you do for these people from head injury to the person we love to country. We go to the. Home.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1017.36,1035.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e So quickly.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1039.38,1039.63"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e So could you go in the future?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1042.05,1045.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Joining us from London to take her to Washington, that people in the room in that Parliament, that I was going to take a break with it. We are supposed to have a mark, as that is, no one can tell me about. It is all.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1049.73,1064.31"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e You do every time you go figure.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1065.51,1066.47"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Shit, you're not going to hear it. Primo CPR. That's it for this day. No. If I have to exact as well, it may just be Vigo County. Whatever they've seen without getting a good together. And good luck yet.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1067.01,1080.66"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e You know. Oh my God, thank God it shows.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1086.18,1100.25"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Profiles are good. If you can give an opinion that often the little ones you don't damn. Now so fucking fit on that. Need a simple thing about how my brain only happens so good. You know, there's a piano handy. Yeah. Don't travel in my book. Happy to learn more with James Bond. Seven financiera. The gondoliers you don't day in who? So hopefully a day for me to meet. You don't have to report it every day.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1100.55,1128.88"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Also known musician mildly and especially so very seldom when he's ready to shoot in the deleted executive opportunity. Yeah. I mean, you clean in. Cause I think I like it a fair bit rude to receive it anyway. But then he said, let me give you then we'll to put me through the money. Really just another thing.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1129.09,1146.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e When the crew will see the vehicle. Still only two men. Now him man, he said of Jim. And security could go there and see if you can get it again with speed condition. The only thing I consider most critical or positive of this his feed. If I do this, I just feel it. Coil gag. Organic on a tissue gag. Fantastic. Say to the theater people. Do. Do. And one is with Tony. If you put me in year two, does it feel good to swap the Disney hundred, massage the demo, and dance on desktop mode to fake the no one? Lemme know me now if you ask a general question. Oh. You know what they do there? The video was not as if I'm okay. I said, you know, I'm going to move the directory with you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1146.76,1205.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e I got from 5 to 8 guys. You guys have requested to fasten.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1205.79,1210.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Your seat belt.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1210.98,1211.49"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eUnidentified:\u003c/strong\u003e And grandpa spoken to them to make it a better place to have been. Your office? I have a computer, if It's time to go. Hum, hum.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1211.82,1230.23"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e For her nephew. My dear friend, that projection below mean that you have to believe that there are many folks with capacity. And. More senior executives.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1280.56,1298.11"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Over there who.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1298.59,1298.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Are not shipped anywhere. You. Can.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1299.49,1308.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Show that the only vision who could look on a particular. And if a pedigree only consult.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1312.09,1318.78"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e If we will see the level of cinema.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1319.86,1321.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Capacity for Parliament to promote its ideal immobility. Hey, it's a good day. An occasion 11. But then maybe made in Cuba on camera. Because in the passed me passes out to hand actor in one piece. Just trying not to win yet.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1324.03,1343.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e If a group of.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1343.31,1343.76"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e People still time around. Him something to get him up. You put it on my head in the name. The Department of Tourism might not move. It is critical for show that because the area is good. You could get in trouble farther down in Australia, but could be made that they don't see. Now your galaxy. We should go for daily. Do they do lately? Do they do my. I mean that even when they're not in your family. Did you want in a way in the. You know, why did you in San Diego.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1345.92,1387.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e For your year is it possible for the level as a 300 year old resulted.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1390.5,1394.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e In a was sorry.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1395.72,1395.98"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Could I look at the motion? So they actually did you?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1398.17,1400.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e He had you in one model and all the time together to put these on a mark on heavy.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1403.96,1412.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e You want to. Do that. If you did it to get a foothold. In some way, you know you.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1415.0,1426.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e But it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1435.01,1435.28"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Was just a mathematical.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1436.42,1437.02"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Fact.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1439.27,1439.27"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e It's going to create.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1440.8,1441.16"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Weight and kind of good to get back.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1444.04,1446.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e On the climb up.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1451.12,1452.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e On the two. You? Yeah, yeah. So come out here.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1452.83,1464.54"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I mean. The kid you got funded, you could say. See, I think you did good. We went to decompress it back to back outside the lights. She said impossible. Yeah, it did, but I think a petition for the information and asking anyone with any of this interview is less than one day a year. Posted on public May 10th. Year by year, by certification by seniors. Has any feedback in their junior passing. I. Said to that number, I thought. Let that. Test and let that dimension. Is it is. Judy said join me. No salesperson. I'm saying seniors do. Not at all. It's just I don't know. Well, the lady shows up with some really good reason why Sony view Nikko knew.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244#t=1466.67,1564.55"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262244/transcript/76683/annotation/91","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/683/original/trint_Coll458_jb0004_Bresson_01_transcript.vtt?1740614714","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/076/683/original/trint_Coll458_jb0004_Bresson_01_transcript.vtt?1740614714"}]}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245","type":"Canvas","label":{"en":["Media File 2 of 2 - Coll458_jb0004_Bresson_02.mp3"]},"duration":2392.47674,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/content/1","type":"AnnotationPage","items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-universityoforegonlibraries.s3.wasabisys.com/collection_resource_files/resource_files/000/262/245/original/Coll458_jb0004_Bresson_02.mp3?1739213413","type":"Audio","format":"audio/mpeg","duration":2392.47674,"width":640,"height":360},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245","metadata":[]}]}],"annotations":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Coll458_jb0004_Bresson_02.mp3 [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Testing one, two, three, four, five, six, seven. A film is the thing at the same time. It's the present of the present continuous. It's the word that makes us think, it's not the thought that makes you think. The incommunication of beings is at the bottom of everything I do. My subject is the pretext. It is the form, even more than the bottom, which educates and elevates. There is a quote by the painter Degas, who said, The muses never talk to each other. They only dance together sometimes. I struggle a lot to do what I do. There is bad and good, and it's this mixture that is me. I feel like I'm late on myself and I never manage to do everything I have to do before the end. As for the actors on the screen, it's not about doing nothing, in my opinion. But not to be watched, not to control yourself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=7.38,114.59"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e It was the last train to Dacia, but two of his accomplices and I got in trouble. It couldn't last. You saw it. I should have recognized it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=122.05,243.3"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The experience will show that the more automatic I was, the more moving I was. We're talking about something dramatic, something that needs to be pushed back, something that has absolutely nothing to do with cinematography. Maybe it's because it's very close, and it seems to me that when we use the theater to make films... We are like someone trying to work with a saw. I don't think there is no orderless creation. One direct thing is to use nature, to process nature and then put it in a certain order. Taste is the choice. There are two excesses, order and disorder. The cinematographer would be delighted if there was no drama. It is very difficult for a cinematographer who takes things as they are to not show them, because he has to show them without showing them. The order is to create and the disorder is to make life. He knows how to show only certain parts to make others see, which is always a part of mystery. You must not have the soul of the executor, even of his own plans. Find nature with the means of nature, but without copying it. When an electrician wants... Linked together by two wires, it is naked. Without it, the current would not pass. It is in the joints, it is in interstices that poetry finds, that finds important things. A person can see you in the street, it is a statue with a spring, a walking statue. From the moment your eyes meet, suddenly there is a warmth, it is an human being. Most of the great battles are delivered at the intersection of the state map. What we believe to see is not what we see. What we see is what the camera sees.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=391.43,480.36"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e I pray to God, to the Blessed Mary and to all the saints. From what I have done, I do not charge my king or anyone. Just take it to those who are present. Saint Michel, Saint Michel Saint Catherine, Saint Gregory","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=499.02,525.14"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e My voice that I had is God's. All that I do, I do by the commandment of God. My voice, my palace, the revelations that I have are God's.\" GG!","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=675.35,697.96"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e There is no production of emotion without regularity and without tenacity. It's the film that gives life to the characters, not the characters that give life to films. The fantastic and the natural. Poets do not denature nature. I'm just looking for a painting. I don't think that... Well, the cinematographers I think of must go to psychology. Because then we fall into the dialog, we fall in the words. I rather believe in a painting, a painting or a writing, if you want, but rather almost a painting and a writing. The word is provocative of something, of something that is the cinematographer.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=827.28,862.22"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Why do you say cinematograph rather than cinema?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=863.31,865.67"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Because cinema represents for me the photographic theater and also the rooms in which the films are projected. The word cinematograph is synonymous for me with cinematographic art.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=866.38,878.24"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Were the first films already made by the cinematographers? The very first films.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=878.81,882.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e No, it was nothing. It was an experiment of the machine itself, but it didn't bring much that this kind of life, the death of the cinematographic plan in itself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=883.12,895.12"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e And how would a body part be in this cinematography?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=896.83,899.07"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I think it is not yet realized that there have been attempts and that these attempts have been stifled by the theater. But perhaps the conditions for the cinematographer will take a very long time to arrive. It seems to me that cinema is sinking into cinema and that the cinematographers are lost. Maybe it will take tens of years to find it again.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=901.8,932.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e What do you think of the cinema crisis?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=933.18,933.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I believe that the current means of attracting the public by great films with stars from all over the world and with films with great spectacle, I can say great spectacle which is not cinematography but cinema, is maybe a means, but it seems to me that it is not a sustainable means. I believe the sustainable means is really... Try to find what this cinematographer is, this poetry of the cinematographer, and let the young, I believe, a new race of young cinematographers who will find things in the current generation, who will end up writing with the film, as we write, with ink and paper. The previous generation may be... They are embarrassed, they don't get into the cinematograph yet. It's an effect of transition. As long as the young people are ready, for them the cinematography shines, it's something very bright. It's a new writing, a new write that must lead to discoveries. Maybe the literature is a little tired, or the arts are a little bit tired. In any case, the invention of cinematography is such a brilliant thing, it makes you think of the future, and you have a whole new area of exploration that does not offer literature or painting or other arts, I think. And the cinematographer? It's here in the top right. Shows its nose at the moment when two images, which were made in a certain way, suddenly, in contact with each other, transform. Because there is no art without transformation. If we want cinema to be an art, there must be a complete change, almost of nature, in the image. The image that we saw on the screen separately must not be the same at all, once it is in contact, not only with one, but with another. And in contact with all the others indirectly. If we want to go deep into things, it's extremely complicated and mysterious, everything that's happening. But here, there is this, it's an image that carries the jump of the theater, that is to say, where a director, through the intermission of an actor, expresses himself through gestures, studied by voice effects, Mimic. This image is un-transformable. It bears the weight of another art, the drama. It is unformable, if you put it next to another image, it will not move. But if you manage, as with an iron to pass, to flatten your image, to completely remove the expression by the mimics and the gestures, you put her next to an image of the same nature, suddenly this image has a very violent effect on each other, and both take another look. If you want, I can explain the cinematographer by three births. First birth, the film is born in your head and it dies on paper. You make it live with the living characters, the living beings and the real objects that you use. You want to kill it by fixing it on the film. Finally, third birth, which does not exist in photographic land. What you have taken is fixed on the film, the sounds and the images, put together, all at once. You take a kind of life, which is a palpitation, in the name of this constant transformation. Of the images in contact with each other. That is the real cinematographic. That is to say that it is not a definitively created thing, but a thing that is recreated as you look at it. It makes me think of something that maybe we should say. It is that there is, in the notebooks of Léonard Vinci, this sentence, roughly. Think well of the end, think first of all of the ending. But the ending, you have to know that the ending is this screen, precisely. This smooth screen on which shadows are projected. And the ending isn't the comedy played by the actors and photographed. Even if the ending for a painter is not the nature that inspires him, it's a canvas with color on it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=935.07,1214.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e What are you doing, Dana?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1215.31,1215.77"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e About nature, there is a wonderful sentence in the Château brillant dans les mémoires which says something like that, but about the 17th poets, the cold poets of the 17, he says that he lacks no nature, he lacks nature, or something like this. It makes me think of the nature of the theater in relation to the nature in which cinema is based.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1217.31,1241.93"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e And that Pascale thought about the campaign you told me about the other day...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1242.59,1245.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I looked for this sentence for you, for you to say it, and then I couldn't find it. I was doing something like the countryside, it's roofs, houses, trees, chimneys on these roofs, and it's also a leaf, an insect, a bunch of grass. That's how it is. But it seems to me that it's precisely the two ways of seeing things through the camera, That is to say, go far away and see them up close. It is perhaps the way to see the supernatural, to get closer to the things of nature.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1246.23,1283.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e What is supernatural to you?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1284.15,1284.65"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e It's real, it's precise, it is as close as possible to what we can get. That's supernatural. I don't really believe in trickery, in fact. So we fall into the trickery of theater, which is a trickery. The theater setting is trickery with false doors and false windows. But it seems to me that if we manage to get closer... As soon as possible, as soon as things are transferred, we would be able to buy something supernatural. The cinematographer himself is a trickster himself. You must not do the trick of a trick.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1286.77,1330.33"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e There is the word Pascale that you quoted about Pickpocket.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1332.23,1334.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e This is Pascal's sentence. I had lost it, I thought I found it in a school edition, and it is now in the Poiroyal edition. The same hand. And he adds, and the hand, if she had a will, she should love in the same way as she loves. Which is very curious about Pascal, who seems to attach great importance to the body. It reminds us of the phrase of Léonard in the books, who says, roughly, at the moment of death, the soul weeps because it has to separate from this wonderful body. And Pascal continues a little further, I jump a few lines. He says, if the feet and the hands had a particular will, they would never be in their order except by submitting this particular will to the primary will that covers the whole body. Out of there, they are in disorder and in misfortune, but wanting the good of the body, they do their own good. What he means in short, is that the feet have a will. And it is this independence of the feet and the hands that is something very close to what I think of automatism and the importance of automatisim in our lives, in our everyday life and that I try to use in my films. You yourself do not know that your hand has come to rest on your knee. It is not you who put it there, it is she who put her hand there. Tomorrow, when we smoke, our mother often asks for the cigarette in the packet. The cigarette, she puts it in our mouth and we don't want to smoke, but the cigarette is there. And you have to oppose this automatism of the current life to the thought in the theater where in fact the actor has to think his gestures and think his words. And that joins a chapter of Montaigne in which Montaigne says, the hand often goes where we do not see it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1335.97,1463.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e You do not need to read or write.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1464.6,1465.74"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I suppose that the young people don't expect me to shoot and that many of them don't know me, but I've always liked the young actors in my films, the new actors, the young, the novices. And I think that sometimes you can give them a little service. Because I don't want to call them actors, because they are not actors, nor interpreters, because these are not my interpreters. They are beings that I approach as precious treasures. But in no way can I consider them as actors or interpreters and I ask my protagonists not to appear... A character, but to be themselves without thinking for a second that they are the character that I have seen. That is to say that at a certain moment what happens is a kind of impoverishment between them and me. I get involved with them and they get involved in me. There is a moment of exchange, if you want, of divination, of secret understanding that has nothing to do with the direction of the actor You're gonna be outside. And how does the character of the script come about? It all comes about. As far as my protagonists are concerned, I always ask them to gather what was outside and to enclose it in themselves, to take refuge in themselves so that we feel that everything itself is there. And that's it. It is he who must be taken only at the moment when he has gathered everything in himself that was on the outside and that managed to get in. And I always tell them, don't think about what you say, don' t think about what you do, or even better, don't think about what you're saying, don´t think what you are doing. And what about Jeanne d'Arc? It's not about being protagonists. It's about being one with the other, the successor. It's all about being themselves, staying themselves and simply saying, articulating this dialog. For Jeanne D'Arcs? Same for Florence Delay, who didn't pretend to be Jeanne but who was simply Florence Delays 10 years old, of what Jeanne d'Art was saying, articulating Jeanne D'Art's answers. What did Zandark become in the case? Zandarck was the one who got out of this system.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1467.09,1609.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e And you, who are in front of Orléans island, return to your country. King of England, if you don't do it, I am a war leader, and in some places where I reach big men in France, I will make them leave. And if they don't obey you, I'll kill them all. I am sent by God body for body to chase you out of here. And don't give me any other opinions because you will not hold God in the Kingdom of France.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1611.93,1632.95"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Do you recognize this letter?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1639.29,1640.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Except where he is said to be head of war and body for body, he is my master. This letter has been shown to several of my parents.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1640.92,1645.26"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e What do you think will happen to your party?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1646.27,1647.81"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Before seven years, the English will lose everything in France for a great victory that they had in the French I say it so that at the time we remember that I said it","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1649.28,1655.86"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e What year? What day?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1656.55,1657.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e You won't have that number.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1660.28,1660.94"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Comment savez-vous que vos apparitions sont hommes ou femmes?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1662.17,1663.97"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e She revealed it to me. I see the face.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1665.909,1666.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I'm going to take my hair off.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1668.39,1669.01"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Yes, sir.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1670.0,1670.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Do you have long and short hair?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1671.58,1672.82"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e I don't even know if there are any big ones.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1674.08,1675.48"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e How do you take the test if you don't have a body?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1676.41,1677.79"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e I say goodbye. This voice is soft and speaks the language of France.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1679.8,1682.56"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Don't you have the right to some rings?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1684.689,1685.83"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e You and Vic, you have one. Give it back to me. And one of them has the other ring. But show me that ring if you have it.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1686.86,1691.38"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Qui vous donne un anneau comme les anglais.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1692.88,1694.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e We'd be dead, and with you, I'd die, Mario.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1697.51,1699.17"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Have you healed anyone with one or the other of the rings?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1699.73,1701.71"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Person par moyen des anneaux.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1703.75,1704.87"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e The Saint-Catherine-et-Marie","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1707.07,1707.37"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Marguerite, nous vous n'ont pas bien promis.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1707.97,1708.91"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e This is not your advice.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1709.89,1710.57"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e To say things mechanically. But as we say them mechanically, there is a passage inside the person and a return that makes this mechanic become alive. This mechanic makes the character really alive from the beginning of the film and the character makes the dialog alive. It is very similar to the way of playing the piano of a great pianist, not a virtuoso, but a great Pianist, which was Lipati. Lipati gave emotions with restraint and regularity. It is by retaining his own emotion, by trying to remove it, and by regurgitating as much as possible, that he managed to give an emotion that no virtuosos could attain. Well, there is a bit of the same thing. It is at the same time, by retaining oneself and by speaking mechanically, that suddenly something clings to a character and makes him give me what I want to wait for him, but he gives it without realizing it. The same with my dialogs. I ask to say them regularly. Suddenly he becomes less rebellious, but he clings, to the best of his emotions. The emotion of the character that he transmitted to the screen, that he transmits to the audience. And the voice. How to use it? The voice is also revealing, that is to say that it gives you, that it tells you about the character better than even the view of this character. What you hear of him is more revealing than what you see of him. And the two together get mixed up. I mean that I prefer... To approach a person that I think will be my protagonist by phone, for example, only by seeing her and talking to her directly. Because the sight does not disturb me and all of a sudden the speech has nuances that I do not realize if my eyes see her at the same time. You hear the noise, you recreate the scene. You hear a whistle, a locomotive whistle, you see a station. You see a locomotives, you don't hear its whistle. You see, I think that the ear is much more creative than the eye. However, the eye, in fact, invents too. But it doesn't invent in the field of sound, while the sound invents in the image field. And I don't hesitate for a second. If I have to choose, if I can replace a setting with a sound, I prefer to take a sound. Not the setting at all, but the setting replaced by the sound. And then there, it's an advantage to give free course to the imagination of the public. And to get to this difficult thing, not to show things, but to suggest them. You have to put aside what belongs to the viewer. On the other side of what belongs to the ear, to him, and proceed through a kind of relay. That is, when the ear is tired, we ask the eyes for the attention of the eyes. It should be noted that the images that you see on the screen are not of the same nature as nature. As long as the sounds are of the similar nature. So there is something important there. That is to say that what the screen sends you as a sound is the nature of the sound. That is to say that the image is not the nature of nature. It is something else, it is a flat image of the shadows sent by the sun.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1712.96,1937.0"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e How do you see your characters? What judgment do you have on them?","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1937.81,1941.29"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e I don't have more judgment on my characters than on myself. Than on what I do. I always try to see them the way I see them, or rather the way that I feel them. For me, what is true above all is the sensation and the emotion, but the emotion derives from the sensation. From a sensation, it is from the feeling that one must work.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1941.47,1968.15"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e And all of this, I am more.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1970.0,1971.5"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You see the difficulty with a device that is, like the cocteau, a cow's eye. That is to say, an eye that takes everything, stupidly. While our intelligence arranges, and even sometimes denatures, for the benefit of what you feel. How do you use the camera? The viewfinder, what is it for you? To take is to understand, but to understand in the sense of, not in the meaning of to explain, in the way of loving, to taste. But, PRIS is also in PRIS. And even what you're doing right now with me seems to me to be a possession of my character. I mean, when I take the lead, I feel like I'm stealing it. And I even believe that there's a very beautiful word from Cocteau that speaks of that and says, it's like a pawn that you steal at death. And I had this very strong feeling when, lately, television allowed me to watch the film that Jorge Stéphane made of Cocteaux some time before his death. This taking someone's position, this kind of theft. And I have this impression when I turn, when I try to take what my protagonist is trying to hide from me, and even what he doesn't suspect is in him. I believe that there is only one point in space from which one must see such a thing. And it's not about a view, but a vision. Before. The vision through a single eye, which is shocking in some films, is that things are seen through multiple eyes. It must be a single eyes that sees, a single mind that interprets this vision. And we feel very well in some movies, and even in the good ones, if I'm not mistaken, we feel good when the camera is not exactly on the freeway, too much forward, too far back, too high, too low. You like writing, the hand that writes. It's another way of being internal, to write. The hand that closes on the pen and starts to draw lines is also very revealing. There is something very intimate. In a documentary film about a character, about a living character, about a writer or an artist, I am always very moved by the image that represents the writer. Which represents his hand drawing lines on a... If I see your writing. And the script or the writing on the paper? The fact of having written oneself on paper, what we will shoot, allows a greater freedom in shooting. That is to say that sometimes we find ideas that we had... When you write on paper, and you find a lot of them, you turn. Which does not exist in an executive, in a director, who executes the work of another. He does not know what this other has thought when writing on paper the subject of the film. And editing? How do you edit your films? I mostly show in the projection room. I rarely go to the editing room. I don't like the film, I don´t like to touch it, to manipulate it, it´s a very barbaric, disobeying material. The other day you talked about scandals. Scandal is a good thing, in the sense that it was a good idea, since there was no more of it, because it was something, a limit that we had to cross, but with a lot of precaution. Now, I'm not talking about the scandal of erotism, I´m talking about scandal in art, to push the limits of his art further. There is no more scandal. There are filmmakers who believe in the existence of an average audience. There is not judgment, there is no average opinion. There is nothing average, there's no average vision. What is the audience's vision? It's me, the audience. I try to watch the film as it is projected on the screen and to be there, in front of him, in this screen, watching what I do. And the dubbing? What do you say? It's still fake added to fake. And try to use the public. As you can see, the audience is used by the dubbing as well as by the bad films that are shown on television. There is an overabundance of unpleasant, useful, bad things that eventually discourage and disinterest us from cinema. You were right to think about modern means of broadcasting. I believe that cinema, radio, television, magazines are a school of carelessness. We watch without seeing, we listen without hearing. And if I were a dictator, the first thing I would do would be to delete this radio, this television, this cinema, to start again, of course, but start again from scratch.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=1972.5,2270.89"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e I think I remember that you told me that radio and television had a tendency to become one thing, one thing in itself.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2271.51,2277.61"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e J'ai entendu dire un jour à un enfant, ce violoniste...","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2277.9,2281.06"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e I want to talk to you about the music in your films, because it seems to me that if we talk about this music, it would allow us to highlight other aspects of the progression of your work, which strikes me a lot.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2282.04,2293.7"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The music deepens and touches something in us that is mysterious. It puts us in a kind of atmosphere that is proper to receive certain things. So I didn't want to completely deprive myself of it, but I used it in another way. I used, on the contrary, a means of transformation. That is to say that I have a music of opposition. For example, in Condemned to the Death of the Escaped, I put a religious music of Mozart while the prisoners were living in their tinets. That is, it was something that had nothing to do with the act, but... Which gave to this act, to this video act, almost a value of rite. In Pickpocket, it's something else, it is the music that brought a movement. As for Jean D'Arc, I didn't call to me the music, I used the drum instinctively, as a military thing first, and then... Like a thing that can make you think of death and that closes the film. By saying that, I think of the dead sound, which is very moving.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2294.27,2378.52"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Well, I'm going to change my wig.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2382.2,2383.4"},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e We'll be right back.","format":"text/plain"},"target":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245#t=2384.2,2384.68"}]},{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://uoregon.aviaryplatform.com/collections/236/collection_resources/141750/file/262245/transcript/79594/annotation/60","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/594/original/trint_Coll458_jb0004_Bresson_02_transcript.vtt?1747152785","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/594/original/trint_Coll458_jb0004_Bresson_02_transcript.vtt?1747152785"}]}]}]}